Soloist (on the soft glass edge). Poem by Richard Lloyd Cederberg

 
 
Ekphrasis
.
Calmly focused, attentive,
Poised, her flute gracefully held,
Nimble fingers begin to dance on
The soft glass edge of a player’s heart…
.
Adagio…
.
An elegant cavatina,
With airy passages building
Towards the larger exposition,
A pause – a breath…
.
Andante…
.
A stir of nuanced phrases
Ineffable, rife of melancholy,
An impromptu interlude wooing the
Listener into an atmosphere of longing…
.
Allegro….
.
In a crescendo of harmonic strings
The orchestra bursts forth…
In soaring synchronies
The exhaled notes
(Of a solo flute)
Begin to flow
Like a silver
Stream of dulcet pearls,
Gossamer harmonies enlaced,
Aureate lines transforming pinnacles,
The scherzo – an exaltation – penetrating – diffusing –
Vanishing – then, a short pause – a breath…
.
And when an
Empty Flute fills again
Subtle notes begin to stir…
Patiently centered,
Attentive,
Poised,
Her flute devotedly held,
The conductor cues the soloist, and
Nimble fingers (again) begin to dance
On the soft glass edge of a player’s heart…

.
© richard lloyd cederberg 2018
 
 

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BIOGRAPHY

Richard is the progeny of Swedish and Norwegian immigrants. He was born in Chicago Illinois. Richard began his journey into the arts at age six. For twelve years he played classical trumpet. The British incursion of music, however, influenced him to put down the trumpet and take-up acoustic and electric guitar, and, to write songs and lyrics. He toured professionally for ten years. In 1995 Richard was privileged to design and build his own Midi-centered Recording Studio ~ Taylor & Grace ~ where he worked diligently until 2002. During that time he composed, and multi-track recorded, over 500 compositions and has two CD’s (‘WHAT LOVE HAS DONE’ and ‘THE PATH’) to his personal credit.
.
Richard’s interest in writing continues. His poetic invention is integrative and employs various elements: nature, history, relationships (past and present), parlance, alliteration, metaphor, characterization, spirituality, faith, eschatology, art, and subtext. Avoiding the middle-road; he enjoys the challenge of poetic stylization: Rhythmical, Poetic/Prose, Triolets, Syllable formats, Story-Poems, Freeform, Haiku, Tanka, Haibun, and Acrostic. Richard’s work has been (and is) featured in a wide variety of anthologies, compendiums, and e-zines including: Poetry Life and Times, Artvilla, Motherbird, and The Path. Richard was nominated twice for the Pushcart Prize.
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Books include: 1. A MONUMENTAL JOURNEY… 2. IN SEARCH OF THE FIRST TRIBE… 3. THE UNDERGROUND RIVER… 4. BEYOND UNDERSTANDING. The Monumental Journey Series is a confluence of adventure, mystery, and historical fiction. A new adventure/thriller, BETWEEN THE CRACKS has been published. Also, a new eschatological drama – AFTER WE WERE HUMAN – is being written. Follow the lives of several friends as a race of ageless multi-dimensional humans comes back to Earth with their Creator to rule and reign for 1000 years.

 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals

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Touched by An Angel | Poem| by Maya Angelou

Touched by An Angel
by Maya Angelou

We, unaccustomed to courage

exiles from delight

live coiled in shells of loneliness

until love leaves its high holy temple

and comes into our sight

to liberate us into life.

Love arrives

and in its train come ecstasies

old memories of pleasure

ancient histories of pain.

Yet if we are bold,

love strikes away the chains of fear

from our souls.

We are weaned from our timidity

In the flush of love’s light

we dare be brave

And suddenly we see

that love costs all we are

and will ever be.

Yet it is only love

which sets us free.

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Poems of Death & Incense by Alisa Velaj. Translated by Ukë Zenel Buçpapaj

 
WHEN DEATH PILES UP
 
They should not have piled those dry branches up here
It is midday and the crowd
Will soon pass by them
The forest ghost will terrify the Dead
With the marrow dried in his bones
Then he will convey the crowd’s death
Like an electrical conductor permits a flow of energy
They should have piled them up in the heart of the Bazaar square
But no, by no means
At midday
 
 
THE DEATH’S PAWS
 
Death has white paws
With the hare’s soft fur
And blinding whiteness
Like that of the tiger’s teeth
 
With the hare’s soft fur
We rub ourselves
On meadows
Growing narcissi flowers
But the lake in the middle of them
Never shows us
The tiger’s reflection…
 
 
INCENSE
 
I pray again after hushing or I hush right after praying
The lily of dreams has long ran away from the white colour
The whiteness of the snow, the whiteness of the petals, the whiteness of the egg
A raven black as death flies around the lily and fades away falling in the hands of the storm
 
The incense’s smell piercing through smelling…
 
 
DISTANCE
 
He is three hours away from the Swan’s Neck.
The screams of the bird have been staying frozen on those shores since the midnight of the last song.
He is three nights away from the songs and a life away from the screams.
 
 

 
 
Alisa Velaj has been shortlisted for the annual international Erbacce-Press Poetry Award in UK in June 2014. Her works have appeared in more than eighty print and online international magazines, including: FourW twentyfive Anthology (Australia), The Journal (UK), The Dallas Review (USA), The Linnet’s Wings (UK) The Seventh Quarry (UK), Envoi Magazine (UK) etc etc. Velaj’s digital chapbook “The Wind Foundations” translated by Ukë Zenel Buçpapaj is published by Zany Zygote Review (USA). Her poems are also translated in Hebrew, Swedish, Romanian, French and Portuguese. Alisa Velaj’s poetry book “With No Sweat At All” (trans by Ukë Zenel Buçpapaj) will be published by Cervena Barva Press in 2019.
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals

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Seven Ages Of Man | Poem| by William Shakespeare

Seven Ages Of Man
by William Shakespeare

All the world’s a stage,

And all the men and women merely players,

They have their exits and entrances,

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse’s arms.

Then, the whining schoolboy with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress’ eyebrow. Then a soldier,

Full of strange oaths, and bearded like the pard,

Jealous in honour, sudden, and quick in quarrel,

Seeking the bubble reputation

Even in the cannon’s mouth. And then the justice

In fair round belly, with good capon lin’d,

With eyes severe, and beard of formal cut,

Full of wise saws, and modern instances,

And so he plays his part. The sixth age shifts

Into the lean and slipper’d pantaloon,

With spectacles on nose, and pouch on side,

His youthful hose well sav’d, a world too wide,

For his shrunk shank, and his big manly voice,

Turning again towards childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion,

Sans teeth, sans eyes, sans taste, sans everything.

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There is another sky | Poem| by Emily Dickinson

There is another sky
by Emily Dickinson

There is another sky,

Ever serene and fair,

And there is another sunshine,

Though it be darkness there;

Never mind faded forests, Austin,

Never mind silent fields –

Here is a little forest,

Whose leaf is ever green;

Here is a brighter garden,

Where not a frost has been;

In its unfading flowers

I hear the bright bee hum:

Prithee, my brother,

Into my garden come!

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My Love Reveals Objects | Poem| by Isabel Fraire

My Love Reveals Objects
by Isabel Fraire

My love reveals objects

silken butterflies

concealed in his fingers

his words

splash me with stars

night shines like lightning

under the fingers of my love

My love invents worlds where

jeweled glittering serpents live

worlds where music is the world

worlds where houses with open eyes

contemplate the dawn

My love is a mad sunflower that forgets

fragments of sun in the silence

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The Passionate Shepherd to His Love | Poem| by Christopher Marlowe

The Passionate Shepherd to His Love
by Christopher Marlowe

Come live with me and be my love,

And we will all the pleasures prove

That valleys, groves, hills, and fields,

Woods or steepy mountain yields.

And we will sit upon the rocks,

Seeing the shepherds feed their flocks,

By shallow rivers to whose falls

Melodious birds sing madrigals.

And I will make thee beds of roses

And a thousand fragrant posies,

A cap of flowers, and a kirtle

Embroidered all with leaves of myrtle;

A gown made of the finest wool

Which from our pretty lambs we pull;

Fair lined slippers for the cold,

With buckles of th purest gold;

A belt of straw and ivy buds,

With coral clasps and amber studs:

And if these pleasures may thee move,

Come live with me and be my love.

The shepherds’ swains shall dance and sing

For thy delight each May morning:

If these delights thy mind may move,

Then live with me and be my love.

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Love Is Enough | Poem| by William Morris

Love Is Enough
by William Morris

Love is enough: though the world be a-waning,

And the woods have no voice but the voice of complaining,

Though the skies be too dark for dim eyes to discover

The gold-cups and daisies fair blooming thereunder,

Though the hills be held shadows, and the sea a dark wonder,

And this day draw a veil over all deeds passed over,

Yet their hands shall not tremble, their feet shall not falter:

The void shall not weary, the fear shall not alter

These lips and these eyes of the loved and the lover.

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