The Spirit of Corona Times. An Audio Textual Poem by Debashish Haar


This moment is a metaphor, 

        the metaphor is a war,

               the war for the survival of mankind.

Its victims are those who sold weapon

     its victims are those who bought the weapons,

          its victims are those on whom incendiary explosives were and are being fired.

Its victims are those who armtwisted national regimes, 

     its victims are the benighted nations,

          its victims are rich, its victims are poor.

Its victims are those who stockpile nuclear arsenal, 

     but have scant PPEs and Ventilators,

             its victims are the stereotyped minorities.

Its victims are the old who have lived their lives,

     its victims are millennials in callow youth having starry dreams, 

          its victims are infants and even new borns.

Its victims are those who are living lives in house arrest 
      fending an invisible nano scale enemy threatening to reduce the world

           in a nuclear winter without any bombs being dropped.

This moment is an allegory,

       which nobody knows, no one understands,

             it stammers and rattles, and speaks everything at once!


Debashish is a machine learning scientist, who has been published in literary magazines 
severaltimes across the globe, including Poetry Life & Times, where he was interviewed 

He is currently contending with a severe writer's block spanning a decade, when he has 
hardly produced any publishable content. He is also losing emotional connection with his 
own work gradually,  and spends more time to edit / tighten his old poems than creating 
any new content.


Editor's Note: Debashish Haar was interviewed twice in the old Poetry Life and Times, 
once by Sarah Russell then Editor & later by myself as a new Editor before it folded in 

The New Poetry Life & Times restarted in 2013 at site, Admin David Jackson. 

Robin Ouzman Hislop is Editor of Poetry Life and Times ; 
You may visit Robin Ouzman Hislop about author. 
See Robin performing his work Performance (University of Leeds)