poems of peace and love

Where the Sidewalk Ends
by Shel Silverstein

There is a place where the sidewalk ends

And before the street begins,

And there the grass grows soft and white,

And there the sun burns crimson bright,

And there the moon-bird rests from his flight

To cool in the peppermint wind.

Let us leave this place where the smoke blows black

And the dark street winds and bends.

Past the pits where the asphalt flowers grow

We shall walk with a walk that is measured and slow,

And watch where the chalk-white arrows go

To the place where the sidewalk ends.

Yes we’ll walk with a walk that is measured and slow,

And we’ll go where the chalk-white arrows go,

For the children, they mark, and the children, they know

The place where the sidewalk ends.

The Highwayman
by Alfred Noyes

PART ONE

The wind was a torrent of darkness among the gusty trees,

The moon was a ghostly galleon tossed upon cloudy seas,

The road was a ribbon of moonlight over the purple moor,

And the highwayman came riding–

Riding–riding–

The highwayman came riding, up to the old inndoor.

He’d a French cocked-hat on his forehead, a bunch of lace at his chin,

A coat of claret velvet, and breeches of brown doeskin;

They fitted with never a wrinkle: his boots were up to the thigh!

And he rode with a jewelled twinkle,

His pistol butts a-twinkle

His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dard inn-yard,

And he tapped with his whip on the shutters, but all was locked and barred;

He whistled a tune to the window, and who should be waiting there

But the landlord’s black-eyed daughter,

Bess, the landlord’s daughter,

Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked

Where Tim the ostler listened; his face was white and peaked;

His eyes were hollows of madness, his hair like moldy hay,

But he loved the landlord’s daughter,

The landlord’s red-lipped daughter,

Dumb as a dog he listened, and heard the robber say–

“One kiss, my bonny sweetheart, I’m after a prize tonight,

But I shall be back with the yellow gold before morning light;

Yet, if they press me sharply, and harry me through the day,

Then look for me by moonlight,

Watch for me by moonlight,

I’ll come to thee by moonlight, though hell should bar the way.”

He rose upright in the stirrups; he scarce could reach her hand,

But she loosened her hair i’ the casement! His face burnt like a brand

As the black cascade of perfume came tumbling over his breast;

And he kissed its waves in the moonlight,

(Oh, sweet black waves in the moonlight!)

Then he tugged at his rein in the moonlight, and galloped away to the West.

PART TWO

He did not come in the dawning; he did not come at noon;

And out o’ the tawny sunset, before the rise o’ the moon,

When the road was a gypsy’s ribbon, looping the purple moor,

A red coat troop came marching–

marching–marching–

King George’s men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,

But they gagged his daughter and bound her to the foot of her narrow bed;

Two fo them knelt at her casement, with muskets at their side!

There was death at every window;

And hell at one dark window;

For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest;

They had bound a musket beside her, with the barrel beneath her breast!

“Now keep good watch!” and they kissed her. She heard the dead man say–

Look for me by moonlight;

Watch for me by moonlight;

I’ll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!

She writhed her hands till her fingers were wet with sweat or blood!

They stretched and strained in the darkness, and the hours crawled by like years,

Till, now, on the stroke of midnight,

Cold, on the stroke of midnight,

The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it; she strove no more for rest!

Up, she stood to attention, with the barrel beneath her breast,

She would not risk their hearing; she would not strive again;

For the road lay bare in the moonlight;

Blank and bare in the moonlight;

And the blood of her veins in the moonlight throbbed to her love’s refrain

Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;

Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?

Down the ribbon of moonlight, over the brow of the hill,

The highwayman came riding,

Riding, riding!

The red-coats looked to their priming! She stood up, straight and still!

Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!

Nearer he came and nearer! Her face was like a light!

Her eyes grew wide for a moment; she drew one last deep breath,

Then her finger moved in the moonlight,

Her musket shattered the moonlight,

Shattered her breast in the moonlight and warned him; with her death.

He turned; he spurred to the West; he did not know who stood

Bowed, with her head o’er the musket, drenched with her own red blood!

Not till the dawn he heard it, his face grew gray to hear

How Bess, the landlord’s daughter,

The landlords black-eyed daughter,

Had watched her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shreiking a curse to the sky,

with the white road smoking behind him, and his rapier brain dished high!

Blood-red were his spurs i’ the golden noon; wine-red was his velvet coat.

When they shot him down in the highway,

Down like a dog on the highway,

And he lay his blood on the highway, with a bunch of lace at his throat.

And still of a winter’s night, they say, when the wind is in the trees,

When the moon is a ghostly galleon tossed upon cluody seas,

When the road is a ribbon of moonlight over the purple moor,

A highwayman comes riding–

Riding–riding–

A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard;

He taps with his whip on the shutters, but all is locked and barred;

He whistles a tune to the window, and who should be waiting there

But the landlord’s daughter,

Bess, the landlord’s daughter,

Plaiting a dark red love-knot into her long black hair.

Last updated August 31, 2015

Highwayman Poem

The Highwayman poem tells the story of an unnamed highwayman who was in love with Bess, a landlord’s daughter. Betrayed to the authorities by Tim, a jealous ostler, the highwayman escapes ambush when Bess sacrifices her life to warn him. Learning of her death, he dies in a futile attempt at revenge, shot down on the highway. In the final stanza, the ghosts of the lovers meet again on winter nights. This poem is reputed to be the best narrative poem of all time for oral delivery.

The poem makes effective use of vivid imagery for the background and of repetitious phrases to create the sense of a horseman riding at ease through the rural darkness to a lovers’ tryst or of soldiers marching down the same road to ambush him. Almost half a century later, Noyes wrote, “I think the success of the poem… was because it was not an artificial composition, but was written at an age when I was genuinely excited by that kind of romantic story”.

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Love Arm’d
by Aphra Behn

Love in Fantastique Triumph sat,

Whilst bleeding Hearts around him flow’d,

For whom Fresh pains he did create,

And strange Tryanic power he show’d;

From thy Bright Eyes he took his fire,

Which round about, in sport he hurl’d;

But ’twas from mine he took desire,

Enough to undo the Amorous World.

From me he took his sighs and tears,

From thee his Pride and Crueltie;

From me his Languishments and Feares,

And every Killing Dart from thee;

Thus thou and I, the God have arm’d,

And sett him up a Deity;

But my poor Heart alone is harm’d,

Whilst thine the Victor is, and free.

Messy Room
by Shel Silverstein

Whosever room this is should be ashamed!

His underwear is hanging on the lamp.

His raincoat is there in the overstuffed chair,

And the chair is becoming quite mucky and damp.

His workbook is wedged in the window,

His sweater’s been thrown on the floor.

His scarf and one ski are beneath the TV,

And his pants have been carelessly hung on the door.

His books are all jammed in the closet,

His vest has been left in the hall.

A lizard named Ed is asleep in his bed,

And his smelly old sock has been stuck to the wall.

Whosever room this is should be ashamed!

Donald or Robert or Willie or–

Huh? You say it’s mine? Oh, dear,

I knew it looked familiar!

Is an angel a God?
Is a molecule also a galaxy
where people are living lives
that go by so fast to us
that we can’t measure them?
Is our galaxy also a molecule in a world
that could not measure
my life because
it goes by so fast?
Is the kitchen there when I’m in the bedroom?
Quantum Quality from Amazon
We ship you a cat,
in a box.
If he lives
he lives

………David Michael Jackson…Operator in chief of this here thing

Where the Sidewalk Ends
by Shel Silverstein

There is a place where the sidewalk ends

And before the street begins,

And there the grass grows soft and white,

And there the sun burns crimson bright,

And there the moon-bird rests from his flight

To cool in the peppermint wind.

Let us leave this place where the smoke blows black

And the dark street winds and bends.

Past the pits where the asphalt flowers grow

We shall walk with a walk that is measured and slow,

And watch where the chalk-white arrows go

To the place where the sidewalk ends.

Yes we’ll walk with a walk that is measured and slow,

And we’ll go where the chalk-white arrows go,

For the children, they mark, and the children, they know

The place where the sidewalk ends.

Walking Around
by Pablo Neruda

It so happens I am sick of being a man.

And it happens that I walk into tailorshops and movie

houses

dried up, waterproof, like a swan made of felt

steering my way in a water of wombs and ashes.

The smell of barbershops makes me break into hoarse

sobs.

The only thing I want is to lie still like stones or wool.

The only thing I want is to see no more stores, no gardens,

no more goods, no spectacles, no elevators.

It so happens that I am sick of my feet and my nails

and my hair and my shadow.

It so happens I am sick of being a man.

Still it would be marvelous

to terrify a law clerk with a cut lily,

or kill a nun with a blow on the ear.

It would be great

to go through the streets with a green knife

letting out yells until I died of the cold.

I don’t want to go on being a root in the dark,

insecure, stretched out, shivering with sleep,

going on down, into the moist guts of the earth,

taking in and thinking, eating every day.

I don’t want so much misery.

I don’t want to go on as a root and a tomb,

alone under the ground, a warehouse with corpses,

half frozen, dying of grief.

That’s why Monday, when it sees me coming

with my convict face, blazes up like gasoline,

and it howls on its way like a wounded wheel,

and leaves tracks full of warm blood leading toward the

night.

And it pushes me into certain corners, into some moist

houses,

into hospitals where the bones fly out the window,

into shoeshops that smell like vinegar,

and certain streets hideous as cracks in the skin.

There are sulphur-colored birds, and hideous intestines

hanging over the doors of houses that I hate,

and there are false teeth forgotten in a coffeepot,

there are mirrors

that ought to have wept from shame and terror,

there are umbrellas everywhere, and venoms, and umbilical

cords.

I stroll along serenely, with my eyes, my shoes,

my rage, forgetting everything,

I walk by, going through office buildings and orthopedic

shops,

and courtyards with washing hanging from the line:

underwear, towels and shirts from which slow

dirty tears are falling.