Poem

A Late Night Poem About Morning 3 Poems by Kushal Poddar

by 
A Late Night Poem About Morning 

Instead of pasting Goodmorning!
on your lips and ripping out mine
at the first urge to breathe we discover
sending pics.

You send a photo of a strand of my white 
on the black pillow case. A white cane
for a blind lane and for the piers dark with
wetness, water rippling, a few river gulls,
all tide in my mind. Sun walks in my head,
and its sweat beads explode, startle 
our alley cat, pregnant and sad 
as if it already knows the fate of its kittens. 

In a Landscape of Red, White and Grey

The red balloon moon 
keeps the boat afloat.
Snow steps into the slate.

Dream hands over its 
mutinous pamphlets 
to the flesh and drags 
its cold gnawed feet 
towards the ferry.

Now a wind will chase the shine. 
Now I'll wake up with 
a mouthful of slogans 
and "Bella Ciao" stuck in my glottis.

Thirteen Dogs' Piss Mark This Block

The dayspring birds surround silence,
now almost blind, now bewildered
and looking for the home all go in the end
to begin again.

The street lights still burn. The early
tramlines connect the horizon
with the broad mouth of the junction. 
One mad man seeks for the moon beams
last seen electric on these long metals. 
From his left hand hangs a brown teddy 
wrapped in a thin plastic. The locality 
is demarcated by thirteen dogs' piss.
They ask him who he is, and that he doesn't know.

Kushal Poddar ‘The Circus Came To My Island’, ‘A Place For Your Ghost Animals’, ‘Understanding The Neighborhood’, ‘Scratches Within’, ‘Kleptomaniac’s Book of Unoriginal Poems’, ‘Eternity Restoration Project- Selected and New Poems‘ and ‘Herding My Thoughts To The Slaughterhouse-A Prequel’. Find and follow him https://www.amazon.com/Kushal-Poddar The author of ‘Postmarked Quarantine’ has eight books to his credit. He is a journalist, father, and the editor of ‘Words Surfacing’. His works have been translated into twelve languages, published across the globe.
Twitter- https://twitter.com/Kushalpoe

Transfigured Face. Bilingual Poems from Spanish by Ángel Huerga

by 
(i.)

don’t want		not to go		don’t want
can’t		not be		no
dancing to this blood divides
sequences dreams cloud by cloud
enclosed behind fingers		last night
crossed the pavement on the corner
perplexed to see you again on the screen
as if someone had been silhouetted against the sky
or a bulldozer had piled up all the light of the slowness as it passed through

(i.)

no quiero 			no ir 		no quiero
no puedo 		no estar 	no
bailar en esta sangre divide 
secuencia el sueño nube a nube
enrejado entre dedos			anoche
crucé la acera	justo en la esquina
perplejo al re-mirarte en la pantalla
como si hubiera ido surgiendo alguien en lo alto
o una excavadora hubiera apilado toda la luz de lo lento al pasar
(ii.)

where you touch is not mine		i just want
you to be an other		willing to explore something new
perhaps what used to be constant 	may explode into shared fire 		
the helipad where we used to get dressed
i just want		the fuel of breath	breath		breath
to flare up

(ii.)

donde tocas no es mío		pretendo	
que seas otro		para algo nuevo que explorar
quizá explosione en incendio común	   lo que solía ser constante
la helisuperficie donde solíamos vestirnos
solo pretendo 		que sea brote
el combustible de respirar	respirar	respirar
(iii.)

he kept on talking about movies
amenabar		juliette binoche		cary grant
alice in wonderland
[alice’s adventures under ground]
sit down		tie my shoes
he pretended to fly like an airplane 	    with his arms outstretched 
north by northwest
get on your knees 		why are you crying?
did I tell you not to go? 

[I have all your pictures and emails.
And don’t tell me you have no father, ‘cause I know he goes by Arturo and 
he’s a delivery man.
I have all the information needed for the danse macabre to start.
Will you please take off your t-shirt?]

(iii.)

hablaba de cine
amenabar		juliette binoche		cary grant
alicia en el país de las maravillas
[las aventuras de alicia bajo tierra]
siéntate			átame los cordones
imitaba el vuelo de un avión		con los brazos extendidos
con la muerte en los talones
ponte de rodillas			¿por qué lloras?
¿te he dicho yo que no puedes irte?	

[Tengo todas tus fotos y tus correos. 
Y no me digas que no tienes padre porque sé que se llama Arturo y que 
es repartidor de café. 
Tengo toda la información necesaria para que empiece la danse macabre. 
¿Puedes subirte la camiseta?]
(iv.)
                                                       to the seasoned traveller
                                                       a destination is
                                                       at best
                                                       a rumour

the real issue is 
structure
how to locate the narrative line that allows for a beamline beneath the door
we’re talking about infinite degrees of freedom here
you can rotate it
but
it’ll remain in the same place
do we know the rules? who’s up or down? who’s at the steering wheel?
we can look for (all the) tracks in the carpet
the traces they left we left		a return covenant	       quizá
but
blah blah blah 		blah blah blah
line = broken line
we retrace our steps and nothing is familiar nothing
which crossbars will be forded		by our caesura?

(iv.)
                                                   para el viajero con experiencia
                                                   un destino es 
                                                   en el mejor de los casos
                                                   un mero rumor

en el fondo 
se trata de la estructura
de localizar la línea narrativa que deje la línea de luz bajo la puerta
hablamos con un grado de libertad infinito	aquí
puedes rotarlo una mil veces	
pero
sigue en el mismo sitio mismo
¿sabemos las reglas?	¿quién sube/baja? ¿quién sigue al volante?
podemos buscar (todas) las huellas en la alfombra
huellas que dejen dejemos		un pacto de vuelta		       maybe
pero
bla bla bla 		bla bla bla
línea = línea rota
re-trazamos los pasos	 y nada familiar nada
¿qué travesaños vadeará		nuestra cesura?
(v.)

helicopter. beach. he was walking alone. sometimes we need just one reason to quit. 
an aim over which the skin can be spread. it was just a breeze. smell of newly purchased salt. 
as if uncovering waves. why create such a stir. walking. crime against public health. 
remote database access. they landed. they escorted him. from both sides. just in case. 
in view of the risk. in the line of duty. 

(v.)

helicóptero. playa. caminaba solo. a veces basta con una razón para huir. 
un objetivo en el que extender la piel. solo era brisa. olor a sal recién comprada. como destapar olas. 
por qué tanto revuelo. caminar. delito contra la salud pública. acceso remoto a todos sus datos. 
aterrizaron. le acompañaron. a ambos lados. por si acaso. por si el peligro. en cumplimiento del deber.
(vi.)

transfigured face
head and floor separated by a trickle of blood
the gaze walled by an animal silence 

do you believe in life or death?
in life, definitely

both the fall and the body embalmed by the blasting
until the parquet floor pattern is reached

what is it that remains after the last anchoring?

face down he expects something to move
the start of a sob, or a void, or a question
or a delay as abrupt as an ending

(vi.)

se desvive la cara 
un hilo de sangre separa cabeza y suelo
un silencio animal cubre de pared la mirada

¿crees en la vida o en la muerte?
en la vida, por supuesto

la detonación embalsama caída y cuerpo
hasta el patrón del parqué

¿qué permanece en el último anclaje?

bocabajo espera algún movimiento
un principio de llanto o de vacío o de pregunta
o una espera tan simple como un final

Editor’s Note: The latter two poems were performed at the online venue Transforming with Poetry
8/1/21. by the author. See Facebook page.

Ángel Huerga (León, 1971) has collaborated in literary magazines such as Nayagua (Fundación Centro de Poesía José Hierro, nº 33), Solaria, Siete de Siete.net, and Las hojas del foro, as well as in the book of essays Poetas asturianos para el siglo XXI (Ed. Trea, 2009). Currently, he attends the Camaleones en la Azotea poetry workshop in Madrid, Spain, where he is based, and has contributed to the release of the a4rismos cardboard book edition (Fundación Sindical Ateneo 1º de Mayo y Taller de Poesía Camaleones en la Azotea, 2022).

He is a lyricist for Asturian-based band Fantástico Mundo de Mierda (FMM) (https://fantasticomundodemierda.bandcamp.com/), which has released the following albums: New Software (Lloria Discos, 2005), La Furia del Fin (Algamar Producciones, 2013), and La Fortaleza (self-released, 2018).

Additionally, he has contributed to translating into English some sections of the following works: El genio austrohúngaro. Historia social e intelectual (1848-1938), by William M. Johnston (KRK Ediciones, 2009), and “In bello fortis”: la vida del teniente general irlandés Sir William Parker Carrol (1776-1842), by A. Laspra and B. O’Connell (Fundación Gustavo Bueno, 2009).

Press. Excerpts from Seasons in the Sun. Winter’s Breath 3 Poems by Annest Gwilym

by 
Days like this to be read as honey

For the child I never had

    
I would give you:
the honeydrip of low sun on the horizon;
a cold that sugar-coats mountain tops,
collides cells and atoms;
all the tree-lined hours of your dreams;
a moonsuck and sunstruck
clock stuck at youth;
four seasons in a day.

In my witchery I would
line up jars of bright starshine
on your windowsill;
conjure Caravaggio days, 
raining pomegranate seeds;
trap it all in amber.

And if you ever lived, 
you could live it too.


First published in the PK Project Quixotic Travellers, December 2018.
Also published in Caught in the Net, November 2019.


In the Immensity of Night


    
Things with invisible hands
unlatch the doors unseen

Creep on silent feet
around my floating bed

Tap their long, strong nails
on my wooden headboard

Whisper poetry in my sleep
which evaporates at dawn

A crinkle of leaves gathers
at the base of the bed

While the sea laps at my front door
lost and miles from home

Baby crabs with tiny pincers
knock, want to enter

The herons are watching
as gulls tear candy-floss clouds

Outside is dangerous, static-filled
inside is better

I pull the duvet under my chin
I think I’ll stay here


Winter’s Breath


    
Winter’s breath is snow-dust prophecy,
humus and moss-scented ache 
of leaf mould from autumn on the floor.

Under the cold, clear fire of stars
its wind corrugates the sea’s iron
in the silent meadows of the night.

Winter’s woods are antlered, dark,
fox-sharp, full of long, wolfish shadows
that follow you home.

Its eye is pale, glaucous; air salted 
with frost, whose sharp proboscis 
probes every crack and crevice.

Winter is a black and white country.
The old know this: it strips flesh
from trees, flowers, bones.

Click on Image to view large:

https://carreg-gwalch.cymru/seasons-in-the-sun-3008-p.asp

Annest Gwilym is the author of three books of poetry. Surfacing (2018) and What the Owl Taught Me (2020), were both published by Lapwing Publications. What the Owl Taught Me was Poetry Kit’s Book of the Month in June 2020 and one of North of Oxford’s summer reading recommendations in 2020. Annest has been widely published in literary journals and anthologies, both online and in print, and placed in several writing competitions, winning one. She was the editor of the webzine Nine Muses Poetry from 2018-2020. She was a nominee for Best of the Net 2021. Her third book of poetry – Seasons in the Sun – was published by Gwasg Carreg Gwalch in September 2023 and was Poetry Kit’s Book of the Month in November 2023 as well as being one of their Christmas reading recommendations. She has been nominated for the Wales Book of the Year Award 2024/Gwobr Llyfr y Flwyddyn 2024. Seasons in the Sun is available from Amazon and other places. It is also available from all bookshops in Wales.

The Kingdom of Chaos Poems by Scott Thomas Outlar

by 
Silver Primroses & Golden Strigiformes Planted by the Curb

Carrying your own 
          dead body
                back to its grave
      in a dream
                 then happening upon
          an expired owl
                              stricken & smashed
                        in the street

Ominous signs
        along Five Forks Trickum
            birth into
                patterns of indigo 
                                  & scarlet wildflowers
                       
Spirit animals
             taking a dive
       before rush hour fevers
                        commence
        
    learn to sip
              from the parched throat
        of roadkill brunch

eating the 
        organs
   of our own
               totem


Stomach Lining

I came to eat the lies you coin

and serve them back half bitter
across the divide of tables turned

I didn’t ask for this evil eye

it was forced down my throat from the jump
been begging for a bulimic leap ever since


Spells of the Stoic Pewter 

& I will
        set you (free) here
    to be made safe by the wizard / window
                                                 (fly, birdie)
               black obsidian
                     gray of mind & beard
             wise & dangerous
                     streaked/laced down the middle
                                    balanced of accord
                                           (harmony 
                                                  & likewise
                                               rhythm)

you are the melody of a soft glow


Lament of Prey

Hello to all the hawks
who have yet to have their fill,
& the vultures, too,
waiting for what’s left over.

Spoiled minds & spoiled hearts
lead to spoiled guts,
but it seems to be
that’s what nature intended
in this twisted realm
of divided time & space.

Dog eat dog
isn’t even the worst part;
it’s flesh unto flesh
in the fire.

Goodbye to all the dreams
that forgot how to conquer,
& the visions still
yet to crystallize in cancer.

Rotten bones & rotten marrow
flow in rotten rivers,
but that’s the taste
acidic blood delivers
when signs of sickness
flash neon & electric in the night.

Tail chase tail
isn’t the end of the story;
it’s a snake that never sheds
the fade to black.


Kingdom of Chaos

We don’t want your money,
just your soul
on a silver platter
served to order
for our warm feast
while we spit out your raw famine.

We don’t want your respect,
just your energy and time,
just your mind
numbed
to the frequency
of propagandized pestilence.

We don’t want your love,
just your heart
bled dry
as every vein
withers in the winter wind
while our chalice remains
ever full to the point of overflowing.

We don’t want your vote,
just your faith
that such a course of action
can actually influence
the order in which our puppets
dance to a song of chaos
upon the public stage.

We don’t want your salute,
just your obedience,
just your hands
kept where we can see them
while your feet continue marching
to the drumbeat of our wars.

We don’t want your laws,
just your land,
just your culture,
just your customs,
just your heritage,
just your traditions
snuffed out
beneath the global kingdom
collectivized
at our command.

 
 

 
 
Scott Thomas Outlar is originally from Atlanta, Georgia. He now lives and writes in Frederick, Maryland. His work has been nominated multiple times for both the Pushcart Prize and Best of the Net. He guest-edited the Hope Anthology of Poetry from CultureCult Press as well as the 2019-2023 Western Voices editions of Setu Mag. He is the author of seven books, including Songs of a Dissident (2015), Abstract Visions of Light (2018), Of Sand and Sugar (2019), and Evermore (2021 – written with co-author Mihaela Melnic). Selections of his poetry have been translated and published in 14 languages. He has been a weekly contributor at Dissident Voice for the past nine years. More about Outlar’s work can be found at 17numa.com

Earth Puzzle,St. Petersburg in January,You Celebrate Your Birthday While I Have a Religious Experience, 3 Poems by James Croal Jackson

by 
Earth Puzzle


We think completing the jigsaw 
depicting Earth will complete us, but 
4 AM we float in half-consciousness,
hoping to realign our orbit, still aimed 
into vastness, a jumbled mess on the
floor. Even the dog snores. Earlier, 
Disco ran across our tarot cards, shuffling 
a wrangled meaning into fate. The Hermit. 
The Star. The Hanged Man. I try to string 
together half-correlations. I want to drink 
more. I open the window and inhale.
I look into the dark and wonder 
how we can piece it all together.


St. Petersburg in January


maybe it is not seeing-eye dogs training 
in the grass I pass or the street vendors
selling sunglasses tamales and watercolors
or the waves that touch a difficult nerve
which snap me into a more relaxed reality
or the toaster-oven croissant at the French
bakery on Ocean Avenue but the cranes
that lift off skyscrapers in the heavy wind
that make me want to punch real estate
developers in the jaw or somesuch non
sensical violence bear trap tourist trap
somewhat Floridaesque my happy life
on blast it is dynamite at a luxury
construction site this weekend


You Celebrate Your Birthday While I Have a Religious Experience


Learning how to swim– 
can’t say I haven’t
counted hours stars 
float in the night infinite 
darkness I cannot claim 
sanctity within us. You point
to Orion like a familiar
neighbor like I would point 
to a passing thought or ripple 
believing it significant 
as the moment passes.

James Croal Jackson works in film production. His most recent chapbooks are Count Seeds With Me (Ethel Zine & Micro-Press, 2022) and Our Past Leaves (Kelsay Books, 2021). Recent poems are in Stirring, White Wall Review, and Vilas Avenue. He edits The Mantle Poetry from Pittsburgh, Pennsylvania. (jamescroaljackson.com)

Mapplethorpe, Lethe, via crucis, Poems by Krystle Eilen

by 

Mapplethorpe

after Robert Mapplethorpe’s Self Portrait, 1980

half youthful, half emaciated,

he reflects the epicene
and the languishing.

his head is all shock and flurry;
his mouth a toothless brevity.

half Madonna, half Antinous,

he reflects a decadent flower
both wilting and transcendent.

his eyes suggest a having seen,
two eternally startled interims.

a princely pauper
whose aspect reflects that of
a parched orchid culled
too soon.

published in Hive Avenue Literary Journal


Lethe

i am a winged thing flailing,
driven into my bovine body, and
back into my savage infant soul.

in the beginning, nature
conceived another deadweight,
and i find myself stillborn.

i am forever waiting to
open my welkin eyes
and outwit the brute.

i want the earth wrested from me;
i want no longer to acquiesce to
the stranglehold of gravity.

i am forever looking forward to
eclipsing the round
seared by fantasy.

published in Hive Avenue Literary Journal 


via crucis

            i.

to behold paradise
god must be heaved up,—
for to become seraph
is to gouge the eye out.

            ii.

always at one remove
is to be found divinity,
otherwise effaced
by twin identity.

            iii.

riven apart
by mimetic sparagmos,
man is condemned
to die on the cross.

            iv.

to shed the serpent’s skin
is but to reiterate its meander,
for conquest precedes
the bind of surrender.

 
 

Krystle Eilen is a 22-year-old poet who is currently attending university. Her works have been featured in Dipity Literary Magazine, BlazeVOX, and Hive Avenue Literary Journal, and are soon to be published in The Orchards Poetry Journal and Young Ravens Literary Review. During her spare time, she enjoys reading and making art.

Where Have all the Fishes Gone?& Further Poems by Fabrice B. Poussin

by 
Where Have all the Fishes Gone?

Sitting atop the cliff overlooking
the ocean vast
we hold one another
in awe of its innumerable mysteries.

The sun sets calmly for us
rises with deft determination
on the other side
of a blue horizon.

Not a sound
emerges from the deep waters
clean of all lives that once were
ancestors some say to our kin.

Where have they all gone
why extinct so soon into fossils
imprints per chance left in the stone
that tell of so distant an evolution.


Welcome to the World of Nice

The world nearly came to an absolute stop when
the wizard suddenly halted his incantations
the fires he had set ablaze reflecting upon his pale brow.

For centuries he had roamed the planet
a weathered wand in his mummified grip
his face oozing with the harm he could cause.

Another in a glorious evening grace
ambled like royalty among the populace
sizing each one of her kin as a victim.

Tall above armies of humble servants
she made them dependent of every whim
she might have dreamed up in her solitary chambers.

She too paused when the child cried
for this Amazon who had never known pain
her frame near collapse she let go of her aim.

The thousands assembled for what they expected
was to be yet a list of grievances and threats
looked in amazement at these meek creatures.

Never had a soul caught a glimpse of pain
in the eyes of those unforgiving executioners
until the tear of a child fell upon their feet.

The giants stepped down from the pedestal
greeted by embraces never imagined of those
who still bore the scars of their millennial tortures.

While the poor wake in a pool of chagrin
no one knew the few in satin and pearl
could weep and fall to the yoke of a babe.


Suffering to Rest

She can tell the throb will persist
Into a night of pleasant slumber
feeling a tug at her secret fibers.

Contemplating the past hours
when glee echoed through the halls
attempts to calm still fail.

Into a slanted mirror an image
seeks to smile at this solemn reflection
subdued by the numbing liquid of her pain.

Docile as with every passing dawn
something has changed in the blood
shed again upon the dusk of a precious hour.

Soon again she will share her pleasure
when the day’s memories turn to dust
and her flesh finds rest in the thin night.

Hard to Be 

Merely standing hands upon the wooden rails
staring into a background of dense forest
he might find rest on a Sunday’s morn’ when

his thoughts quickly move to the millions
like him who contemplate the world
considering how little they can see he holds 

a cup of a dark brew in hand, early smoke in the other
his desperation grows as he longs
for the visions others cannot share and

he imagines so many there with him
gazing into the same surroundings 
their perception so different from his he

considers the one who inspires him 
if only he could be within her as she takes all in
become an intimate part of who she is for

he feels so much missing from his being
lost smaller than a speck of minute dust
while an infinity of interpretations exists yet

only this microcosm of the infinite belongs to him
so insignificant as he must remain until at last
he might be freed from this temporary prison and

become like all those before him
a piece of the universal puzzle
the matter of all that is the cosmos. 


Feeling the sounds.

Upon a saunter as is his common dominion
he pushes through the brush of a dense forest
after the storm left its gentle coat
on every living thing like a shroud of life.

Nothing speaks, everything rests yet
awaiting reassurance that it is safe again to be
and he continues, puzzled by the uncanny silence
looking for a sign that all is well still.

And there it is, a murmur brushes against his flesh
an eerie sensation of sound, of sight
of scent, touch and even taste
from whence it is born he cannot tell.

It must be her at last in the late hour
since darkness will soon prevail
and she always visits him in his sleep
when his dreams become real as the present.

She surrounds him with an infinite coat
made with all a soul can endure
he hears the voice of her wholeness speak
without a word, but it is to be eternal.

 
 

 
 
Fabrice B. Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and many other magazines. His photography has been published in The Front Porch Review, the San Pedro River Review as well as other publications. Most recently, his collection “In Absentia,” was published in August 2021 with Silver Bow Publishing.
 
 
 

Beyond the Limit & Tyne Cot. Ekphrastic Poems by Jan Theuninck

by

 

BIO: Jan Theuninck (born 7 June 1954) is a Belgian painter and poet. Although born in Zonnebeke, Belgium, and a native speaker of Dutch, he writes in French and occasionally English. His painting is abstract, falling somewhere between minimalism
 and monochrome expressionism.
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