Natalie Crick | Eight Poems

Natalie Crick has found delight in writing all of her life and first began writing when she was a very young girl. Her poetry is influenced by melancholic confessional Women’s poetry. Her poetry has been published in a range of journals and magazines including Cannons Mouth, Cyphers, Ariadne’s Thread, Carillon and National Poetry Anthology 2013.

 

Dear Sister

It is Winter here.
Snow has fallen.
“I am afraid”, said the moon.
She is beautiful tonight.

Now it is darker than December.
What is dead is a different colour.
My dead sister is neither a man nor a woman.
She is a ghost.

We do not speak of her
Anymore.
I turn away from mirrors
When I see her reflection.

The dead can no longer see
I no longer care.
O Lord of darkness,
I want my innocence.

Night’s End

Snow had fallen, I remember,
At the night’s end.
Do you hear his voice?
I am never alone.

And at the end?
I do not live.
It is forbidden to die.
The winds are changing.

Our dead brother waited
Undiscovered,
But very dark, very hidden,
As the earth became black.

The field was parched and dry,
Filled with death already.
You walk through it.
You see nothing.

 

 

God, He Is In The Air

God, he is in the air,
Rushing through the wind and
Over the hills.
Coming at her in waves at the seashore.

Grey gusts
Colour her cheeks crimson
As a bandstand balloon.
She doesn’t know why.

Polka dot flags
Hang in the air
For Madeline to stuff into her pinafore
In handfuls.

Mother and Father
Stand like sheep
In a snowstorm.
Turned into each other.

 

Out There, On The Hill Somewhere

The grey skies are
Fathomless.
A strange chill
Rushed across the moors
Spreading panic.
It is her, she is trying to tell us.

She is out there,
On the hill somewhere
Left all alone in the cold and dark.
I imagine it and rock.
Memories
Coming in the middle of the night.

Wanting to remember
Made her try to die
All night long.
Longing to bleed it out.
Crying for yesterday
With eyes like black holes.

A mirror breaks.
Something is not right.
I swear
I saw her standing there.
Bells tinkled in the wind
And I gaze all around and up to heaven.

Drowning in emptiness
In the thick, still air.
My darling, she is voiceless now.
I dream and dream

Of asking she:
“Are you the Queen of Death?”

Each day we drift into nowhere.
Life will end at the end.

 

 

Goodbye

The snowfield
Is still and quiet
In slumber.
Frosted blue in grief.

Remembering your eyes
Is what hurts the most.
Your eyes, your lips, your hair
Falling into a black amnesia.

I breathe in your air.
One kiss to thaw your bones.
You are frozen dead beneath the ground.
Now there is no sound.

Your little voice
Whispers in the dust
With white hair
Like Granddad.

The sky rolls
In depression.
And I am screaming your name
In the dark.

No one believes
That you are there.
You are following me around
Everywhere.

To tell me I am
Not alone.
When another day
Is done.

An angel is crying in heaven.
How far away
Is that star in the sky.
Goodbye, Goodbye.

 

 

Secret Life of Life

I am a child
Thrust open and disregarded,
Trashing through corridors unchained.
The sound poured into me then,
Like birdsong,
Sweet and softly tapping
At my heels.

Short bursts
Of stigma
Are attached to this threshold.
I wandered out, caught
Between the lines of cars.
Such activity frightened me
So I died with leaves.

 

 

 

Journey Into Afterlife

I wanted to go
Like “this is a last chance”.
To see you at nightfall
And see my shining star.
Brown rain streaks down my face.

And we
Stir passed stooped cottages
Of witchery.
What are you doing in there?
I feel drugged.

A dull throb above
My left eye.
I wish I could hold
Your hand,
Pressing your nails

Into your palm.
I wish
I could meet you
And find out
And drown in thick filth.

 

 

 

No Surprise

There was no rain
Through the sky sagged and slumped,
An old coat cradling the lane,
Wearing thin with empty pockets.

You are inclined to believe the latter; luminous purple, ashen green.
And you are wrong because I remember that part
But, I forget where we were. Does it matter?
For poignancy is often personified when we are lost.

We swallowed the road with great swooping gulps,
Bounding with confidence, as very small cars often do.
The moon ran with us, I noticed,
Which was thoughtful, because we were all alone.

The forest mob loomed up on the left,
Hurling hostile tremors from her core.
We bravely edged onward
Though our faceless friends were engulfed in her silent roar.

We tore through the black
And he followed.
In a soundless haze, the hooves vaulted upward,
Clearing us with space to spare.

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FUD. A Poem by Robin Ouzman Hislop

 
 
Fud helped temper attacks
trump a three-word promise longer than ever before
the up ones sleeve trump card
trump up trick, as Day of Judgement
raised the dead on intestinal gas through the anus
to expel hopping into an atom splitting fission
similar referendum wins multiple atoms to split
exponential increase in atoms splitting into right wing populism
the number of some which will awaken destruction
to take war to Europe
and based on history applaud the great victory
to win back control from now fractured EU.
 
The final trumpet that taps into a seething and of course many
but based on history
the Christening of them leads to nothing happening
but Utopia argumentum ad metum
– not ace in the hole card period of time –
compare trombone at dawn by several commentators
that Brexit, a trick with a trump is not caused by
split geyser of anti-immigrant sentiment suggestions
and ascent in part we are entering one moral due to another
according to the belief of thousands within an extremely short period
on a very broad scale.
 
Possible scenarios are infinite
to build a wall has many awful faults prevented
hit the economy with a strong force of natural selection trump
which might represent to trump up a convincing EU
as well as also one major wave of inward-facing
and they in turn causing all the indicators
that were in case against the last EU for all its UK causes
automatically honour targeting frail people
in their many moving parts
as their combined energy weakens.
Fear uncertainty doubt FUD call force in suppressing
in the face of won overnight
by those who due to the massive complexity
by the hundreds of splits causing multiple moral Utopia
argumentum ad impact
of the first atom of all ages and killing. Of all ages and killing.

 
 

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Robin Ouzman Hislop, born UK, a reader in philosophy & religions, has traveled extensively throughout his lifetime but now lives in semi- retirement as a TEFL teacher and translator in Spain & the UK.
 
Robin was editor of the 12 year running on-line monthly poetry journal Poetry Life and Times. In 2013 he joined with Dave Jackson as co-editor at Artvilla.com, where he presently edits Poetry Life & Times, Artvilla.com, Motherbird.com.
 
He’s been previously published in a variety of international magazines, later publications including Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N.Carolina), The Poetic Bond Volumes (thepoeticbond.com) and Phoenix Rising from the Ashes (a recently published international Anthology of Sonnets). His last publication is a volume of collected poems All the Babble of the Souk available at all main online tributaries.

 
 
 
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Perceptions. Video Poem & Book Review. Gary Beck.


 

‘Perceptions’, is a just published poetry collection that challenges many of our attitudes and values, showing us many of our concerns that grow more troubled in these difficult times. Disasters of our time come into immediate focus as they occur. We are shown again and again the catastrophic events of the day. It is the lingering effects that are seen from different viewpoints, and produce a sometimes volatile perception of our world.
 
Amazon.com. Perceptions Gary Beck
 
Perceptions is a 146 page poetry volume. Available on paperback with a retail price of $10.99, and eBook with a retail price of $4.99. The ISBN: 1941058493. Published through Winter Goose Publishing and available now through all major retailers.

 
 
Gary pic

 
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 11 published chapbooks and 3 more accepted for publication. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions (Winter Goose Publishing). Fault Lines, Tremors, Perturbations, Rude Awakenings and The Remission of Order will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Resonance (Dreaming Big Publications). His novels include: Extreme Change (Cogwheel Press) and Flawed Connections (Black Rose Writing). Call to Valor will be published by Gnome on Pigs Productions and Acts of Defiance will be published by Dreaming Big Publications. His short story collection, A Glimpse of Youth (Sweatshoppe Publications). Now I Accuse and other stories will be published by Winter Goose Publishing. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City.
 
 
 
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Blue. A Poem by Judy Moscowitz

Color me blue
I can swing in red
Feel my own skin
But color me blue
As in the blues with a beat
Slow cooling heat
Back of the bus blues
When life is unjust
Blue hoodie blues
Straight from the pipes
Brown dirty water blues
Songs of whiskey and sex
Blues slamming
Choke hold blues
Let me feel its color
Azure, cerulean, navy
Empathy blues filling the sky
Color me black
 
 
mom photo
 
 
Judy started playing piano at the age of three, and studied at the Julliard School Of Music in New York City, her native city.
She became a jazz pianist and continues to play jazz. Now residing in Florida, she started writing poetry three years ago, and has been published in the Moonlight Dreamers Of The Yellow Haze anthology by Michael Lee Johnson, Thepoetcommunity, Whispersinthewind, Indiana Voice Journal. Poetry runs deep in her veins along with Music.

 
 
 
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BOY DOWN THE WELL. A Poem by John Grey.

They say there was a boy who fell into the well years ago

and his body is still down there.

I was told to stay away,

as if his ghost would coax me into his dark bottomless world.

People even gave him a name – Hector.

And he’d be in my dreams, tiny and pale-faced,

dressed in a blue and white sailor’s suit,

begging me to come out and play.

A parent’s warnings were powerful medicines

but they didn’t work so well in the head.

Here was the danger that stalked innocents –

not the boogie man, not the pedophile cruising

the suburban streets, but reflections of our own selves –

curious and ignorant, edging too close to the holes in the world.
 
 
Then they said there was no such boy,

that it merely local legend invented by an older generation

just to frighten off the likes of me.

There were some who said the well served no purpose

and the council should just fill it in.

“Where’s the money coming from?” the mayor asked.

It seemed like make-believe Hector

would go without his decent burial.

Myth or no, the talk planted his seed in my brain.

My nights were his last opportunity for life in death.

“So what’s it like down there?” I’d often ask him.

“Look around you,” he’d reply.
 
 
As much as I sought out the world in stages,

there were always opportunities for brutal change at any moment.

Between learning how to read and kiss a girl,

a kid was paralyzed in a car accident.

Right on the verge of his first lesson in algebra,

another fell through the ice.

No one toppled down that well in my time

but I dropped from a tree and sprained an ankle.

And my knees were skinned more often than western settlers.

Nothing ever happened to Hector.

He was dead whether he existed or not.

I survived childhood. He disappeared,

figured I was too old not to know better.

Hector. You fell into that one, didn’t you.
 
 
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John Grey is an Australian poet, US resident. Recently published in New Plains Review, South Carolina Review, Gargoyle and Big Muddy Review with work upcoming in Louisiana Review, Cape Rock and Spoon River Poetry Review. To view more of his work Poetry Life & Times & www.artvilla.com
 
 
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Sly. A Poem by Goirick Brahmachari

 

It is not a coincidence that we abhor each other.

          That we have never tried to understand each other
          is true. But then, what are you?

I was never there, nor shall I ever be.

          That we have to endure one another to let live
          Is true. But then, what does mud tastes like? to you?

It is bitter but it’s true, I can’t help it.

          That life will go on like this when we cease to be,
          is true. But then, how real are you?

 
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Goirick Brahmachari lives in New Delhi, India. He hails from Silchar, Assam. His poems have appeared in various Indian and international magazines. Further reading of his work can be found at www.artvilla.com 
 
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SHE NOW MIGHT WEAR DIAMONDS. A Poem by David Spicer

 
 
The tornado I knew as Sharon left after a brief
appearance. Her grey eyes romantic to me,
a pilgrim who worked in a barn near flowers
and the cornfield, the shacks sleeping.
I wish I had wings, I wish I could shimmer:
then she might have stayed. She thundered
when I compared her to a beautiful storm,
a tortuous wind breaking hundreds of hearts.
Sharon called me a dumb devotee of Apollo,
punched me so hard I saw linnets on the ceiling,
making me regret I owned a telescope.
Sad that she now might wear diamonds,
I can only sing hymns to her in school,
but sometimes she appears to me
in dreams as a wild palomino.

 
 
 
 

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David Spicer has had poems in Yellow Mama, Reed Magazine, Slim Volume, The Laughing Dog, Jersey Devil Press, The American Poetry Review, New Verse News, Ploughshares, Bad Acid Laboratories, Inc., Dead Snakes, and in A Galaxy of Starfish: An Anthology of Modern Surrealism (Salo Press, 2016). He has been nominated for a Pushcart, is the author of one full-length collection of poems and four chapbooks, and is the former editor of Raccoon, Outlaw, and Ion Books. He lives in Memphis, Tennessee. For further views of his works see Poetry Life & Times & www.artvilla.com
 
 
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‘Library of Beautiful Hybrids’ Poetry by Ian Irvine Hobson

 
Songs of Interstitium is an online site created by Australian born poet, writer and academic Ian Irvine Hobson. I should start by telling the reader to this introduction. that I gather “Interstitium” to signify “inter-states” and that the writer in question is seeking to promote an idea of an emergent genre, as dimension for artistic creativity – “Transmedia”. The artifice he has chosen, as a literary device, is quantum physics and the multiverse, into it he pours, as in a cauldron, all the elements, science fiction, mysticism, metaphysics, mythology, archetypes, surreal fantasy, quantum physics and biological evolution to emerge with an art form in an age that finds itself transformed by the computer sciences and the digital media, the age of singularity.
 
A mysterious box containing 5 manuscripts of novels, a series of poetics and a DVD from a sect with super secrets from another world is discovered in an outback of Victoria, Australia transported from a parallel universe. The writings are created by poet and writer Rowan Sweeney, where later we find in the transcripts of the novels, Rowan Sweeney is himself a time traveller in other parallel universes, where he encounters his doppleganger likenesses living in alternative realities.
 
The theme of the multiverse, as fictional mode, is developed from the theory of physicist Hugh Everet, to explain the phenomena of the interference pattern and super position created through the double slit experiment in particle physics. The theory went into abeyance for nearly half a century until revived by quantum physicist and computer scientist David Deutch. Although, if I understand him correctly, in the two books he’s written on the subject, Fabric of Reality & The Beginning of Infinity, the idea of time travel and telepathy between parallel worlds is not a feasible reality. Nevertheless,Transmedia genre, launches us into the age of singularity, artificial intelligence and the digital media, where art and creativity must find there own special voice in an age otherwise transformed by the quantum computer .
 
In Songs of the Interstitium in Book 3 – Poetry Sequence from ‘Library of Beautiful Hybrids’ we are introduced to 3 series of poetics, all created by the fictional Rowan Sweeney. One is almost reminded of the Portuguese poet Pessoa and the many fictional identities he assumed to write poetry through. As I mentioned before, all the elements outlined previously in the first para, pervade these poems with tremendous innovative, imaginative literary force and mood. There are brilliant constructions, where the poet grapples with an understanding of consciousness and the history of archetypes that underlay it. However, I must admit, that for sheer force of lyricalism, where the poet depicts the shocked mind of Darwin, as the concept of evolution dawns on him, I personally am most drawn to the
” Coral Reverie: Voyage on the Beagle, The Darwinian Poems ” series.
 
But to return to the genre theme of Transmedia, David Deutch writes in The Beginning of Infinity his view of the importance of the art form in the emerging age of singularity in these words:
 
“This, too, is not as different from science and mathematics as it looks: poetry, mathematics or physics share the property that they develop a language different from ordinary language in order to state things efficiently that it would be very inefficient to state in ordinary language. And both do this by constructing variants of ordinary language: one has to understand the latter first in order to understand explanations, of, and in, the former.”
 
I can only add, that personally, i’m not an adherent to the multiverse theory in quantum physics, but that nevertheless it has been one of the great philosophical enigmas of the last and present century.
Editor Robin Ouzman Hislop
 
Book Three – Poetry Sequences from ‘Library of the Beautiful Hybrids’
 
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Ian Irvine Photo
 
Ian Irvine is an Australian-based poet/lyricist, fiction writer and non-fiction writer. His work has featured in many Australian and international publications, including Fire (UK) ‘Anthology of 20th Century and Contemporary Poets, ’ (2008) which contained the work of poets from over 60 nations. His work has also appeared in a number of Australian national poetry anthologies, and he is the author of three books and co-editor of many more (including Scintillae 2012, an anthology of work by over 50 Victorian and international writers and poets). He currently teaches writing and literature at Bendigo TAFE and Victoria University (Melbourne) and lives with fellow writer Sue King-Smith and their children on a 5 acre block near Bendigo, Australia.
 
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