No Place Like. An Audio Textual Poem by Robin Ouzman Hislop

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

In Perfection. A Poem by Antonio Martínez Arboleda

                        Nothing is in

                                               perfect,

                         Isn´t it?

Everyone counts

no Body is dispensable

                     Energy in

                     Energy out

The Equation holds

                    -The Fort-

until the End

                                              Nothing is in

                                                                       perfect,

                                              Isn´t it?

                                              Except for this bastard Universe

                                    In its self-fulfilling Logic

                         of cruel Creation

                        and cruel destruction

             following its Own

            beautiful blueprint

 

 

 

Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change 100tpc.org/. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda at the University of Leeds. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ .

He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons the Nation PaperbackGoddess Summons the Nation Kindle Edition , is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English, available in print

and kindle in Amazon and other platforms.

Editor’s note: further information bio & academic activities can be found at this link: https://ahc.leeds.ac.uk/languages/staff/91/antonio-martinez-arboleda

 

 

 

 

 

Robin Ouzman Hislop is Editor of Poetry Life and Times ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

 

 

 

 

Reducto Anagramatico Sunday Afternoon 1915 Wallace Stevens. Poem Excerpt from Moon Selected Audio Textual Poems by Robin Ouzman Hislop

http://www.aquillrelle.com/authorrobin.htm
 

 

 
reducto anagramatico sunday afternoon 1915 wallace stevens
 
come give balm to the gusty grieving
nights to hush day green the seas
for her dark oranges bloom an
 
indifferent inhuman evening
of cherished comfort and wings
like wide complacencies
 
but next moves in mythy gat motions
among any hind’s heaven or paradise
& cries cause the sun’s littering
 
our afterwards river sky relinquish
the mountains and whistle in her porch
death still the imperishable inescapable
 
for receding boughs to wear sleeplessly
the sun colours to hang of sky bosom
serafin plum the perfect rivers the hills
 
the lay sky paths that live impassioned
upon grass phrases in extended cries over
her peignoir and coffee upon blood calm
 
 
 
 
Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems and translations from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae (the award winning XIII Premio César Simón De Poesía). In November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds, UK. A forthcoming publication of collected poems Off the Menu is expected in 2020.

Press Release Let the Whales Escape Collected Poems By R.W.Haynes


 
 
Let the Whales Escape R.W.Haynes
 
 
Mona Lisa and the Marlboro Man
 
Not knowing if wisdom would impulsively fly
Or if it dragged its feet when impulse flared,
She had to make the call and suddenly try
To do what an immortal would have dared,
An Aphrodite, ascending in a flying cart
Drawn by fifty gurgling pigeons at a speed
Which matched the speed of her own matchless heart
And the heartbreaking glory of her need.
Later, back in Laredo, she would say
She didn’t know why she’d taken off that way,
Smiling with satisfaction, recalling when
Her best moments flew by delightfully then.
 
He didn’t want anyone saying, “Oh.
This is how I feel,” but people do
Say that, and he said it, sometimes, too,
In unguarded moments, and he would show
How he felt, displaying great disdain
As he lit his pipe, blew blue smoke forth
Delivering himself from aesthetic pain
Incurred by foolish ideas from the North,
And, nodding slightly to appreciate
A tolerable turn of phrase which he
Thought suggested some brain activity,
He let his tobacco counter-obfuscate
Suspicious overflows of raw emotion
Which threatened to undermine devotion.
 
 
On the Balcony of the Palacio de Cortés
 
Madness stands at one elbow. At the other
Various figures in masks take their turns,
And all whisper steadily, one after another,
Syllables whose content one never learns.
The maniac is familiar; one keeps a careful eye
On him night and day, and day and night,
But who are the others who are standing by,
And what are these advisements they recite?
I dream the lonely ghost of love is one
Whose only consolation is to speak of sin,
And when that sad companion is done,
I hear Complacency, Madness’s mad twin.
I listen in patience, fighting back the fear
I’ll never hear the voice I hope to hear.
 
 
Ibsen on the Nile
 
Those monuments are monuments merely
Of themselves; this river of nutrition
And death, inundating Egypt, is clearly
A muddy embodiment of time’s volition.
I saw the Sphinx off in the distance. Today
I purchased an ancient mummified hand
To give to my wife, safely far away,
And I suspect that she will understand.
I met DeLesseps recently. He and I
Have much in common, more than he knows;
My work is lonelier, but there exists a tie
Between what we do as humankind grows.
These monuments record the vanity of ages;
Mine put the outraged human soul on stages.
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

100 Thousand Poets for Change Leeds 2017 Free On Line Anthology

100 Thousand Poets for Change (100TPC) is a worldwide artistic movement whose aim is to raise awareness about our man-made social, political, environmental, moral and economic crises.
Artists have an especial sensitivity and language, as well as a commitment to beauty, spirituality and truth and that is why Artists can and should make a difference in bringing people together and reinforcing their solidarity, with a view on transforming society.
This book was incepted as a digital initiative supporting the 2017 100TPC events across the World that took place on 30 September 2017 concertedly with Thousands of other Artists on the whole planet, including our own reading in Leeds, held in The Chemic Tavern in Woodhouse under the auspices of Word Club.
We have included poems by generous West Yorkshire artists who wanted to contribute to our cause by responding to our invitation with poems on: Revolution, War, Streets, Business, Nations, Equality, Politicians, Conquest, Racism, Love, Europe, Nature, Death, Life, The World, The Good, the Great, the Evil. The Human and beyond.
This is the second of a series of 100TPC published by Transforming with Poetry, this time in conjunction with Word Club.
 
 

 
 

 
 
Co Editors of 100 Thousand Poets for Change (100TPC) Leeds 2017. UK
 
 
Mark Connors:
Mark Connors is a poet and novelist from Horsforth, Leeds. His debut poetry pamphlet Life is a Long is a Long Song was published by OWF Press in 2015. His first full length poetry collection, Nothing is meant to be Broken was published by Stairwell Books in 2017. Mark won the Ilkley Literature Festival Open Mic competition in both 2014 and 2015 and has received a number of prizes and commendations for his short fiction. His debut novel Stickleback was published by Armley Press in 2016 and was longlisted for The Guardian’s ‘Not the Booker Prize.’ His second novel, Tom Tit and the Maniacs was published in 2018 by Armley Press. He runs spoken word nights for WORD CLUB in Leeds and comperes and performs regularly at Literature Festivals. He is a managing editor of the new independent publishing company, Yaffle Press, For more info visit www.markconnors.co.uk
 
 

 
 
Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ . He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons The Nation, is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English. It is available in print and kindle in Amazon and other platforms.
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals

Life and Opinions of Doctor BOP the Burnt-Out-Prof. Collected Poems by EM Schorb. Reviewed by Robin Ouzman Hislop

 
Excerpt from
Life and Opinions of Doctor BOP

 
A poem is a posit, an assertion, an act,
and in action we forget fear: respite
in creation, the maker takes a stand, in making,
but is it a stand no better than gimmick-makers make?
Well, poetry possesses the virtue of being a record,
at least, and you can date a poem, if you wish,
thus giving it the merit of a worldly fact
contained in a system of time, which, admittedly,
is a system which is perhaps pseudo-fact itself,
or will become so as matter completes its withdrawal
upon itself to revisit its beginnings in a black hole in space;
and yet, until then, something like a fact,
a fact in the sense that Sherlock Holmes is almost real
and lives in Baker Street in a fictional series
in a real world that may exist only in a dream
that is being dreamed elsewhere, perhaps—dare I say—
by Yahweh; and so poetry becomes an actual little stab
and, poets hope, rip in the black sheet
that covers the deserted, haunted mansion.
 
 
Reviewed at:
 
Amazon.co.uk Life and Opinions of Doctor BOP the Burnt-Out-Prof and Other Poems . See also: Amazon.com
 
Amazon.co.uk Emanations from the Penumbra Poems EM Schorb See also: Amazon.com
 
Review of
Life and Opinions of Doctor BOP
by
Robin Ouzman Hislop (Editor of PLT)
 
 
Many poets often turn to playwrites, more so than the other way about, and undoubtedly, imo, EM Schorb’s early background in theater has led to his latest theme in poetics “Life and Opinions of Doctor BOP ( the Burnt – Out – Prof and other Poems)”. In fact, it seems to me, the entire text hovers between sketches, vignettes, and biographic autobiographical narration in the first person. As a European, but one who has followed, as well, with keen interest North Amercan academia in poetics. As much as philosophy, related to cosomology and evolutionary concerns in the new sciences. It comes as an edifying experience to be introduced to the home grown frantics of North American Campus life, or insomuch, the affect it has had on our character in question, Doctor BOP. Actually, in the reading of the first part of this three part volume, a practically epic poem consisting of some seventeen pages, I was strangely reminded of the later short story writings of JD Salinger’s depiction of University life as an undergraduate English lecturer. He was in fact, as he describes himself, a rather reclusive English lecturer. And one of his passages springs vividly to mind, as he mentions in a more or less autobiographical narration, how as a now muchly graying and aging professor, he hastily makes himself scarce, the moment a group or anything like of under 40’s looms on his horizon, (on the Campus). A far cry from the days of Catcher in the Rye, perhaps we might encounter our Doctor BOP, as Schorb portrays him, as having travelled a somewhat similar way, perhaps a universal way of all burnt-out-profs. At least for the birth of our Doctor BOP, as he emerges from the Yiddish community, where due to a series of social phenomena peculiar to North American modern history, he finds himself born into the world of academia at midriff with his family’s origin, social background and status. Here Schorb brings his own background knowledge of Yiddish custom and vocabulary into full play in all its richness, in the first part of the central theme to the work. It is but one of the literary treats he devises. The whole text is replete with a classical apotheosis, religious epitomes, literary analogues and philosophical allusions, all of which abound in the head of Doctor BOP, as he makes his final but defiant bow before the world. The poems obviously are tragico/comico, there is satire, irony, bitterness, humour and kindness blended together with eruditeness. The text is littered with phrases in Latin, Greek, Yiddish, Spanish, we even have augenblick (in the blink of an eye, or in the moment) for Hamlet in German, and of course, Orator fit, poeta nascitur, poeta nascitur, non fit. (A speaker is made, a poet is born, not made). According to Doctor BOP, who quotes extensively from bibliographies of writers past and present and salutes us in the final part of the first part with vaya con Dios, my Darlings. Doctor BOP makes a delightful read, which the two latter parts of this small volume only serve to embed, and is well worth the buy, if only to raise the dust from our minds to reminisce over our studious years and the host of miscellenious trivia that is the heritage of our race in all its travail – a poor player who struts and frets his hour upon the stage and then is heard no more – to coin yet another allusion.
 
 
 
Biography
 

 

E. M. Schorb attended New York University, where he fell in with a group of actors and became a professional actor. During this time, he attended several top-ranking drama schools, which led to industrial films and eventually into sales and business. He has remained in business on and off ever since, but started writing poetry when he was a teenager and has never stopped. His collection, Time and Fevers, was a 2007 recipient of an Eric Hoffer Award for Excellence in Independent Publishing and also won the “Writer’s Digest” Award for Self-Published Books in Poetry. An earlier collection, Murderer’s Day, was awarded the Verna Emery Poetry Prize and published by Purdue University Press. Other collections include Reflections in a Doubtful I, The Ideologues, The Journey, Manhattan Spleen: Prose Poems, 50 Poems, and The Poor Boy and Other Poems.
 
Schorb’s work has appeared widely in such journals as The Yale Review, The Southern Review, The Virginia Quarterly Review, The Chicago Review, The Sewanee Review, The American Scholar, and The Hudson Review.

 
At the Frankfurt Book Fair in 2000, his novel, Paradise Square, was the winner of the Grand Prize for fiction from the International eBook Award Foundation, and later, A Portable Chaos won the Eric Hoffer Award for Fiction in 2004.

 
Schorb has received fellowships from the Provincetown Fine Arts Work Center and the North Carolina Arts Council; grants from the Ludwig Vogelstein Foundation, the Carnegie Fund, Robert Rauschenberg & Change, Inc. (for drawings), and The Dramatists Guild, among others. He is a member of the Academy of American Poets, and the Poetry Society of America.

 
PRIZE-WINNING BOOKS
BY E.M. SCHORB
Books available at Amazon.com
_______________________________________
 
Dates and Dreams, Writer’s Digest International Self-
Published Book Award for Poetry, First Prize
 
Paradise Square, International eBook Award
Foundation, Grand Prize, Fiction, Frankfurt Book Fair
 
A Portable Chaos, The Eric Hoffer Award for Fiction,
First Prize
 
Murderer’s Day, Verna Emery Poetry Prize, Purdue
University Press
 

Time and Fevers, The Eric Hoffer Award for Poetry
and Writer’s Digest International Self-Published Book
Award for Poetry, each First Prize

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals

Immediate Release. Collected Poems by Gary Beck. Rude Awakenings

 
 
Rude Awakenings is a 112 page poetry collection. Available in paperback with a retail price of $11.99. ISBN 1941058809, and a kindle edition for $4.99. Published by Winter Goose Publishing. Available now through all major retailers. For information or to request a review copy, contact:[email protected]
 

 
Amazon.com
 
 
Can an artist achieve the American dream without compromising creativity? Can lovers navigate the search of their desires while mourning the loss of past connection? And if the disillusioned accept our world of empty promises, don’t we all lose when that fire burns out? Poet Gary Beck masterfully approaches serious questions of human integrity, as well as the small odd moments our realities may share, in his brilliant new collection, Rude Awakenings.
 
We love your poems – Orchards Poetry
 
Wonderful work – Panoplyzine
 
Imagery and emotion that felt unique yet universal – Paradise Review

 
Featured Poems from Rude Awakenings:
 
i.
 
Faded
 
Dim flame dying
like a senile candle,
a flickering old woman,
crinkled fingers drooping
from large jeweled rings
as she sobs in septic sleep
that no lover’s steps
tread the midnights
of her bedroom.
 
ii.
 
Pilgrim
 
Leaving my land, place, roots,
another strange American
dazed with hungers,
breakfast cereal anticipations
for change, glory, just enough lust
to risk Moloch-belly flames
licking fire at asbestos bones,
spinning and circling a torturous orbit
returning me to beginnings,
stubborn, ruthless, orphan greedy,
playing no more rhymes on my toes, Granpa,
past twiddling, caring about rag clad dreams,
leaving me shivering for survival
from frostbite of vindictive atoms
unseen in the bustling commotion
in the churning harbor of unrest.
 
iii.
 
Two Refrains
 
For in darkness women came
and carried his body away.
The children by the shore of the lake
picked up his bones and followed the barge
and shrieked of the games they’d play the next day.
 
And while the children reveled
greed, our god, cloyed our senses
and ignorance, the priest,
drugged our minds,
leaving us stranded
on confusion’s shore.
 
 
 
 

 
 
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 12 published chapbooks and 2 accepted for publication. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions, Fault Lines, Tremors and Perturbations (Winter Goose Publishing) Rude Awakenings and The Remission of Order will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Resonance (Dreaming Big Publications). Virtual Living (Thurston Howl Publications). Blossoms of Decay (Wordcatcher Publishing). Blunt Force and Expectations will be published by Wordcatcher Publishing. His novels include: Extreme Change (Cogwheel Press), Flawed Connections (Black Rose Writing), Call to Valor (Gnome on Pigs Productions) and Sudden Conflicts (Lillicat Publishers). State of Rage will be published by Rainy Day Reads Publishing, Crumbling Ramparts by Gnome on Pigs Productions. His short story collections include, A Glimpse of Youth (Sweatshoppe Publications) and. Now I Accuse and other stories (Winter Goose Publishing). His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City.
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (Leeds University)

The Whale. Leviathan. Video Poem. Sonnet by Norman Ball. Read by Ed Gero

 
 
This is a sonnet from my 2001 collection ‘Return to One: A Sonnet Odyssey’, and the section ‘The Whale, the Bull and the Lightbringer’. DC Shakespeare Theatre’s Ed Gero is the reader. I’ve often wondered if Man’s excessive cruelty towards the whale goes beyond mere commerce. Is there something even more fundamental at play, a jealousy perhaps?
(Norman Ball)
 
 

 
 
Leviathan, what coaxed you back to sea?
Did premonition sour you to the land?
Perhaps you saw the vex of history
and, wisely, chose a watery remand.
Awkward, we Fell; you sank to cooler climes,
your massive girth played foil to Yahweh’s glare.
We battled seas; you swam to rhythmic tides
while sailors scrimshawed biblical despairs.
We’ve harpooned all pretense at gentle neighbor
reserving special violence for your end.
Nor does predation justify these labors.
No, cruelty masks an envious intent:
we fend alone on this terrestrial stage;
no depths too deep to plunge our jealous rage.
 
 

NORMAN BALL

 

(BA Political Science/Econ, Washington & Lee University; MBA,George Washington University) is a well-travelled Scots-American businessman, author and poet whose essays have appeared in Counterpunch,The Western Muslim and elsewhere. His new book  “Between River and Rock:How I Resolved Television in Six Easy Payments”   is available here.
 
Two essay collections, “How Can We Make Your Power More Comfortable?” and  “TheFrantic Force” are spoken of  here and here, respectively.
 
A collection of poetry  Serpentrope  was published early 2014 from White Violet Press. He can be reached at a [email protected].
 

 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (Leeds University) .