GUADALUPE GRANDE
Madrid, 1965.
She has written the following books of poetry: El libro de Lilit (1995), La llave de niebla (2003), Mapas de cera (2006) and Hotel para erizos (2010).
She has been translated into French in the book Métier de crhysalide (translation by Drothèe Suarez and Juliette Gheerbrant (2010) and into Italian, in the volume Mestiere senza crisalide (translation by Raffaella Marzano (2015). She made the selection and translation of La aldea de sal (2009), an anthology of Brazilian poet Lêdo Ivo, together with poet Juan Carlos Mestre.
Her creative work extends to the territory of photography and visual poetry.http://guadalupegrande.blogspot.com.es/
Amparo Arróspide (Argentina) has published five poetry collections: Presencia en el Misterio, Mosaicos bajo la hiedra, Alucinación en dos actos y algunos poemas, Pañuelos de usar y tirar and En el oído del viento, as well as poems, short stories and articles on literature and films in anthologies and international magazines. She has translated authors such as Francisca Aguirre, Javier Díaz Gil, Luis Fores and José Antonio Pamies into English, together with Robin Ouzman Hislop, who she worked with for a period as co-editor of Poetry Life and Times, a Webzine. Her translations into Spanish of Margaret Atwood (Morning in the Burned House), James Stephens (Irish Fairy Tales) and Mia Couto (Vinte e Zinco) are in the course of being published, as well as her two poetry collections Hormigas en diáspora and Jacuzzi. She takes part in festivals, recently Transforming with Poetry (Leeds) and Centro de Poesía José Hierro (Getafe).
Robin Ouzman Hislop is on line Editor at Motherbird.com, Artvilla.com & Poetry Life & Times, his recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N.Carolina), The Poetic Bond Volumes, Phoenix Rising from the Ashes (an international anthology of sonnets) and The Honest Ulsterman. His last publications are a volume of collected poems All the Babble of the Souk & Key of Mist, a translation from Spanish of the poems by the Spanish poetess Guadalupe Grande, both are published by Aquillrelle.com and available at all main online tributaries. For further information about these publications with reviews and comments see Author Robin..
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Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
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Poet
All the Babble of the Souk. Antonio Martínez Arboleda ~ Reinventing
https://martinezarboleda.wordpress.com/
Before I provide my views about All the Babble of the Souk (Aquillrelle, 2015), I must declare my admiration for its author, Robin Ouzman Hislop. He is a person of great intellect, determination and generosity, a combination of traits that is unfortunately not so common in our world. In his work as an editor Robin promotes literary quality and innovation whilst helping hundreds of artists to feel and become part of a global community of equals which expands through Poetry Life and Times. He has demonstrated his commitment to grassroots, popular and digital poetry by supporting Transforming with Poetry and Poesía Indignada, two of the platforms I run. Knowing him personally makes this review a pleasant experience. I think the reader is entitled to be aware of the subjectivity of my views and I wish people were more open about declaring all the reasons informing their personal preferences when they write about other’s work. Our “professional” world is polluted by a false duty of objectivity which often takes away the most valuable information one can provide about the work of someone else: the human qualities of the author.
In his work All the Babble of the Souk, Robin takes us through a fascinating journey into the painful complexities, and the beauty, of the universe, with a very honest, informed and uncompromising cosmovision. Robin’s poems are enlivened with very opportune geographical, physical, scientific and human ingredients, including what seems to be autobiographical references. These are also the stepping stones for Robin’s insightfully critique of our constructed social reality and our species. But make no mistakes: the reader will not find a political programme in the poetry of Hislop. Instead, he offers an impressionistic yet refined understanding of what is wrong, and what is right, with humanity: we humans are an indistinguishable and intertwined part of the matter that surrounds us. We are as immense as the galaxies we dream with, as little as the atoms that sustain us and as problematic as the viruses who kill us. We struggle in our lives with the symmetries and asymmetries that underpin nature and the universe.
Robin’s work is an invitation to discover the necessity and expressive value of sometimes relatively uncommon words that reveal the richness of the world he encounters. Words for him are the commotion of the intellect, a statement of fiery consciousness where signifier and signified can often melt. But the reader should not be afraid of this. The poems are very enjoyable and thought-provoking, even if one feels inclined to consult the dictionary now and then. The use of occasional rhymes and repetitions or the combination of monosyllables in some poems is very effective. With no exception along the whole book, the pace of Robin’s prosody is light and elegant like the walk of a playful Arab horse.
Overall, a very recommended read. Thank you for your poetry, Robin!
Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada (Transforming with Poetry), an online publication of political poetry that he edits. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016.
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The Cultivated Ones. A Poem by Janet P. Caldwell.
Editor’s Note: Janet recently deceased Sept.27th 2016. Writer/Editor/Poet she was a good friend & will be greatly missed
The pampered roses are are all bred
much like step-ford wives to look alike.
From seedling to flowering
with abundant care, they do survive.
The gardener making sure they lay in measured mulch
are properly watered, holding the moisture
to prevent unwanted weeds from drinking and growing.
Halting the choking of a prized dressing of a cultivated lawn.
Unaware they are slaves to man’s idea of beauty
and never serving themselves.
Now, look at the daisy, some say she’s ugly,
just a wild, uncultured weed.
I say she’s a beauty, bending with the wind
growing sturdy through arid ground, so wild and free.
She’s the clever one, she’s cast off conformity.
Janet P. Caldwell December 16, 2015
Janet P. Caldwell is an American poet from the USA. Her books are available on her website, (see below) Amazon and Inner Child Press. Janet says the poem is about many things, racism, politics, rebellion and not being “the good little soldier or carbon copy of the uninformed” that she was supposed to be. Once a poem is in the world, it belongs to the reader for interpretation. Please enjoy.
“our words change the world”
Janet Caldwell Web-site, Books and Poetry
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My Sun is Orange. A Poem by William S. Peters, Sr.
my morning Sun is orange
The yellow is stained
with the Blood of my People
for that is what we
are reminded of
each day
when it rises from the East
to greet the world
i see my world
clearly
we once lived with a hope
that the atrocities of Hate
War
and indifference
would go away
but it did not
my hope has been misplaced
somewhere
and i can not remember
where i have set it down
it might have been that day
i lost my arm
or that day
when my Father was jailed
or that day
when my Sister was killed
she was only 3
no, i think i lost my hope
the day
my Mother no longer cried
her eyes have been dry
for many a year now
and somehow
by some grace
she still has enough love in her
to hug me
once in a while
through that pained smile
that still adorns her face
just so she won’t completely break
there is a noise i hear
it is a loud silence
that stays with me
through my callousness
for the gunfire
and the bombs
and the screams
i can not hear them
they have long ago
assaulted and killed
the dreams of my Family
my village
my people
and it is now working on
Humanity
where is the sanity
in this methodology
to be found
every day is “Ground Zero”
where i live
every where i look
i see Ground Zeros
and we have lost count
of those who
are no more
because of what you call War
but you and i
never had a dispute
that i know of
If so, please tell me what i did wrong
to cause you harm
that you should exact such wretchedness
upon me
and others like me
i know not of the Politics
of it all.
i have never met a Politician
are they so different
than we the people ?
if it’s Oil
i give it to you
if it’s right
take it freely
i will not raise nor put my hand
against that
of my Father’s children
there was a time
when all i thought of
was simply
finding Joy in my life
i have since given up that quest
for i see far too much
of that other stuff
which deserves not a name
my Sun is no longer Yellow
but i do pray my Brother
that yours is
my Sun is Orange
This is dedicated to all the Villages, Peoples across our Globe who must endure
the Politics and Sickness of War.
Bill is an avid Writer / Poet who has been committed to this path since 1966. He currently has to his credit over 70 Published Books as well as a myriad of Newspaper and Magazine Articles. Bill supports the venue of Creative Expression regardless of form. He also is an activist for the progression and evolution of Humanity and its Love of each other.
Recently (September 2015) Bill was honored to be named the Poet Laureate at the Kosovo International Poetry Festival where his book The Vine Keeper was showcased. He was also awarded The Golden Grape Award.
Bill currently serves as the CEO of Inner Child Enterprises, ltd., Managing Director of Inner Child Press, Executive Producer of Inner Child Radio and Executive Editor of Inner Child Magazine. His life partner Janet P. Caldwell stands by his side in support of the Inner Child vision
For more of Bill, visit his personal web Site at : www.iamjustbill.
for Inner Child . . .
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‘Desperate Seeker’ Collected Poems. Gary Beck. (i-v)
- ‘Desperate Seeker’ is an unpublished poetry collection that uncovers the anger, fear and horror that resounds in the powerful struggle of existence.
i.
Deception of the Arts
The rigors of science
became too demanding
for unwilling students
unprepared for effort,
conditioned by tv
to passive response
to the learning process.
But Americans believed
in higher education,
a cultural imperative
propounded by their fathers
who left the blue-collar class
by attending college,
then wearing suits to work.
Competing colleges
obliged unmotivated hordes
by inventing liberal arts,
a superficial taste
of various subjects,
an opportunity
to find a direction
by sampling career choices.
And millions got degrees
that left them unqualified
for any profession,
but they were educated,
deluded into thinking
they were functional.
Then the real world reared its head
and illusions melted away
leaving tedious employment,
a poor consolation
for shattered expectations.
So they worked resentfully
deprived of luxury
offered tantalizingly
by bigger and bigger tvs
colorfully displaying
what they could only afford
by purchasing on credit
and going into debt.
The best of the liberal arts tribe
taught in inner city schools,
brought social services
to those in desperate need,
yet as our population increased
math and science were neglected,
inventiveness began to fade,
a plague of lawyers roamed the land
expending enormous energy
promoting the concept of lawsuits
to dissatisfied citizens
guided by clever exploiters
to courtrooms of contention
seeking compensation
for the loss of loved ones,
grief replaced by greed.
The owners of America
contributed a system
that brainwashed our youngsters
with high moral concepts,
democracy, equality,
removed from their reality
by the vast economic gap
between haves and have nots,
yet many of them believed
they were as good as anyone else,
until the fragile line of credit
suddenly evaporated,
smashing family security
providing no consolation
in the liberal arts.
ii.
Nurturing Gap
Alienation blossoms
faster than comfort
in fractured homes,
roles eroded
by changing society,
television parent
unable to give
preparation to prevent
future confusion.
iii.
Street People VI
I sit indoors
sheltered from rain
watch from my window
city procession
workers, shoppers, tourists,
barely functional homeless,
as intent on arrivals
as the passersby,
lacking urgency,
achieving destination
without comforts.
iv.
Fading Glory
American holidays
retain popularity
on special occasions
with gifts, or fireworks,
more and more forgetting
memorable battles,
our soldier’s sacrifices,
too easily distracted
by internet diversions.
v.
Noblesse Obligé
Declining empires
frequently abandoned
their troops abroad
when they couldn’t maintain
the exercise of power.
The British pioneered
bringing the troops home,
setting an example
for fading America
not to desert
young men and women
doing their duty,
risking their lives
in foreign lands.
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 11 published chapbooks and 3 more accepted for publication. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions (Winter Goose Publishing). Fault Lines, Tremors, Perturbations, Rude Awakenings and The Remission of Order will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Resonance (Dreaming Big Publications). His novels include: Extreme Change (Cogwheel Press) and Flawed Connections (Black Rose Writing). Call to Valor will be published by Gnome on Pigs Productions and Acts of Defiance will be published by Dreaming Big Publications. His short story collection, A Glimpse of Youth (Sweatshoppe Publications). Now I Accuse and other stories will be published by Winter Goose Publishing. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City.
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DREAM CATCHERS. A Poem by Steve DeFrance.
Things
are
what they
are.
Coloring Jupiter green
won’t make it so.
Yesterday’s meaning
was for yesterday—
today the sun comes up
on another planet
entirely.
One night’s sleep
divides us
from an uncertain past.
The dead & the living
can’t mix often except
in poetry or dreams
where everyone’s illustrated
in a few fictive lines
purple cows here or there—as words
exculpate whatever they please.
Until they don’t and then
they damn the very thing
they’ve once raved about.
One minute now
until this day’s cares disappear.
Daylight hisses into dark,
and night barges into the frightened
corners of our mind—until at last,
the eternal stage manager lowers our curtain,
and consciousness skips,
among stars & rampaging raptors,
slipping right off the spinning earth.
Steve DeFrance is a widely published poet, playwright and essayist both in America and in Great Britain. His work has appeared in literary publications in America, England, Canada, France, Ireland, Wales, Scotland, India, Australia, and New Zealand. He has been nominated for a Pushcart Prize in Poetry in both 2002 and 2003. Recent publications include The Wallace Stevens Journal, The Mid-American Poetry Review, Ambit, Atlantic, Clean Sheets, Poetrybay, Yellow Mama and The Sun. In England he won a Reader’s Award in Orbis Magazine for his poem “Hawks.” In the United States he won the Josh Samuels’ Annual Poetry Competition (2003) for his poem: “The Man Who Loved Mermaids.” His play THE KILLER had it’s world premier at the GARAGE THEATRE in Long Beach, California (Sept-October 2006). He has received the Distinguished Alumnus Award from Chapman University for his writing. Most recently his poem “Gregor’s Wings” has been nominated for The Best of The Net by Poetic Diversity. For further work by Steve DeFrance see www.Artvilla.com & Poetry Life & Times
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Twenty Four Seven. A Poem by Robin Ouzman Hislop
Donde se liberan titled by hijacking planes
debate Kenya gave act el nihilismo NYC
had a secret after
to Strike un momento determinado
actor important cattle to los hechos
the suspicious individuals on potenciales experiencia de el seno
Most of his flight.
Most his flight. Maasai tribe of ocho años después de la versión
Agravación de targeting NYC.
Michael would be later periodista que claim
and they donde surge la humanidad demuestra
donde quiera que recorren el mundo una agravación.
Another nearby attacks. Another nearby attacks.
Hijackers en revista el terrorismo aparece
the Center’s most famous Jackson had a criminalidad se desarrolla.
Authorities did not America as aid, did not America as aid.
The CIA se produce social sufre cambios dio inicio
a building that collapsed
donde President George comienzan a degradarse but overslept.
Comienzan a degradarse but overslept
in sobre on his valores y social targeting NYC,
possibly office on sobre el tema but overslept.
7 meeting at the another nearby attacks.
In US “saying morales donde triunfan was later found World Trade Center, Odnako.
Found World Trade Center, Odnako. Revista rusa.
James la veracidad en un artículo el cinismo y las relaciones
– pasa America as aid.
– pasa most of his flight.
14 of their 25th floor of Odnako.
Robin Ouzman Hislop, born UK, a reader in philosophy & religions, has travelled extensively throughout his lifetime but now lives in semi- retirement as a TEFL teacher and translator in Spain & the UK.
Robin was editor of the 12 year running on-line monthly poetry journal Poetry Life and Times. In 2013 he joined with Dave Jackson as co-editor at Artvilla.com, where he presently edits Poetry Life & Times, Artvilla.com, Motherbird.com.
He’s been previously published in a variety of international magazines, later publications including Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N. Carolina), The Poetic Bond Volumes (thepoeticbond.com) and Phoenix Rising from the Ashes (a recently published international Anthology of Sonnets). His last publication is a volume of collected poems All the Babble of the Souk available at all main online tributaries
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Sweet Little Sperm. A Video Poem by Tony Martin – Woods
SWEET LITTLE SPERM
Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada (Transforming with Poetry), an online publication of political poetry that he edits. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016.
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