Life and Opinions of Doctor BOP the Burnt-Out-Prof. Collected Poems by EM Schorb. Reviewed by Robin Ouzman Hislop

 
Excerpt from
Life and Opinions of Doctor BOP

 
A poem is a posit, an assertion, an act,
and in action we forget fear: respite
in creation, the maker takes a stand, in making,
but is it a stand no better than gimmick-makers make?
Well, poetry possesses the virtue of being a record,
at least, and you can date a poem, if you wish,
thus giving it the merit of a worldly fact
contained in a system of time, which, admittedly,
is a system which is perhaps pseudo-fact itself,
or will become so as matter completes its withdrawal
upon itself to revisit its beginnings in a black hole in space;
and yet, until then, something like a fact,
a fact in the sense that Sherlock Holmes is almost real
and lives in Baker Street in a fictional series
in a real world that may exist only in a dream
that is being dreamed elsewhere, perhaps—dare I say—
by Yahweh; and so poetry becomes an actual little stab
and, poets hope, rip in the black sheet
that covers the deserted, haunted mansion.
 
 
Reviewed at:
 
Amazon.co.uk Life and Opinions of Doctor BOP the Burnt-Out-Prof and Other Poems . See also: Amazon.com
 
Amazon.co.uk Emanations from the Penumbra Poems EM Schorb See also: Amazon.com
 
Review of
Life and Opinions of Doctor BOP
by
Robin Ouzman Hislop (Editor of PLT)
 
 
Many poets often turn to playwrites, more so than the other way about, and undoubtedly, imo, EM Schorb’s early background in theater has led to his latest theme in poetics “Life and Opinions of Doctor BOP ( the Burnt – Out – Prof and other Poems)”. In fact, it seems to me, the entire text hovers between sketches, vignettes, and biographic autobiographical narration in the first person. As a European, but one who has followed, as well, with keen interest North Amercan academia in poetics. As much as philosophy, related to cosomology and evolutionary concerns in the new sciences. It comes as an edifying experience to be introduced to the home grown frantics of North American Campus life, or insomuch, the affect it has had on our character in question, Doctor BOP. Actually, in the reading of the first part of this three part volume, a practically epic poem consisting of some seventeen pages, I was strangely reminded of the later short story writings of JD Salinger’s depiction of University life as an undergraduate English lecturer. He was in fact, as he describes himself, a rather reclusive English lecturer. And one of his passages springs vividly to mind, as he mentions in a more or less autobiographical narration, how as a now muchly graying and aging professor, he hastily makes himself scarce, the moment a group or anything like of under 40’s looms on his horizon, (on the Campus). A far cry from the days of Catcher in the Rye, perhaps we might encounter our Doctor BOP, as Schorb portrays him, as having travelled a somewhat similar way, perhaps a universal way of all burnt-out-profs. At least for the birth of our Doctor BOP, as he emerges from the Yiddish community, where due to a series of social phenomena peculiar to North American modern history, he finds himself born into the world of academia at midriff with his family’s origin, social background and status. Here Schorb brings his own background knowledge of Yiddish custom and vocabulary into full play in all its richness, in the first part of the central theme to the work. It is but one of the literary treats he devises. The whole text is replete with a classical apotheosis, religious epitomes, literary analogues and philosophical allusions, all of which abound in the head of Doctor BOP, as he makes his final but defiant bow before the world. The poems obviously are tragico/comico, there is satire, irony, bitterness, humour and kindness blended together with eruditeness. The text is littered with phrases in Latin, Greek, Yiddish, Spanish, we even have augenblick (in the blink of an eye, or in the moment) for Hamlet in German, and of course, Orator fit, poeta nascitur, poeta nascitur, non fit. (A speaker is made, a poet is born, not made). According to Doctor BOP, who quotes extensively from bibliographies of writers past and present and salutes us in the final part of the first part with vaya con Dios, my Darlings. Doctor BOP makes a delightful read, which the two latter parts of this small volume only serve to embed, and is well worth the buy, if only to raise the dust from our minds to reminisce over our studious years and the host of miscellenious trivia that is the heritage of our race in all its travail – a poor player who struts and frets his hour upon the stage and then is heard no more – to coin yet another allusion.
 
 
 
Biography
 

 

E. M. Schorb attended New York University, where he fell in with a group of actors and became a professional actor. During this time, he attended several top-ranking drama schools, which led to industrial films and eventually into sales and business. He has remained in business on and off ever since, but started writing poetry when he was a teenager and has never stopped. His collection, Time and Fevers, was a 2007 recipient of an Eric Hoffer Award for Excellence in Independent Publishing and also won the “Writer’s Digest” Award for Self-Published Books in Poetry. An earlier collection, Murderer’s Day, was awarded the Verna Emery Poetry Prize and published by Purdue University Press. Other collections include Reflections in a Doubtful I, The Ideologues, The Journey, Manhattan Spleen: Prose Poems, 50 Poems, and The Poor Boy and Other Poems.
 
Schorb’s work has appeared widely in such journals as The Yale Review, The Southern Review, The Virginia Quarterly Review, The Chicago Review, The Sewanee Review, The American Scholar, and The Hudson Review.

 
At the Frankfurt Book Fair in 2000, his novel, Paradise Square, was the winner of the Grand Prize for fiction from the International eBook Award Foundation, and later, A Portable Chaos won the Eric Hoffer Award for Fiction in 2004.

 
Schorb has received fellowships from the Provincetown Fine Arts Work Center and the North Carolina Arts Council; grants from the Ludwig Vogelstein Foundation, the Carnegie Fund, Robert Rauschenberg & Change, Inc. (for drawings), and The Dramatists Guild, among others. He is a member of the Academy of American Poets, and the Poetry Society of America.

 
PRIZE-WINNING BOOKS
BY E.M. SCHORB
Books available at Amazon.com
_______________________________________
 
Dates and Dreams, Writer’s Digest International Self-
Published Book Award for Poetry, First Prize
 
Paradise Square, International eBook Award
Foundation, Grand Prize, Fiction, Frankfurt Book Fair
 
A Portable Chaos, The Eric Hoffer Award for Fiction,
First Prize
 
Murderer’s Day, Verna Emery Poetry Prize, Purdue
University Press
 

Time and Fevers, The Eric Hoffer Award for Poetry
and Writer’s Digest International Self-Published Book
Award for Poetry, each First Prize

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals

Immediate Release. Collected Poems by Gary Beck. Rude Awakenings

 
 
Rude Awakenings is a 112 page poetry collection. Available in paperback with a retail price of $11.99. ISBN 1941058809, and a kindle edition for $4.99. Published by Winter Goose Publishing. Available now through all major retailers. For information or to request a review copy, contact:jessica@wintergoosepublishing.com
 

 
Amazon.com
 
 
Can an artist achieve the American dream without compromising creativity? Can lovers navigate the search of their desires while mourning the loss of past connection? And if the disillusioned accept our world of empty promises, don’t we all lose when that fire burns out? Poet Gary Beck masterfully approaches serious questions of human integrity, as well as the small odd moments our realities may share, in his brilliant new collection, Rude Awakenings.
 
We love your poems – Orchards Poetry
 
Wonderful work – Panoplyzine
 
Imagery and emotion that felt unique yet universal – Paradise Review

 
Featured Poems from Rude Awakenings:
 
i.
 
Faded
 
Dim flame dying
like a senile candle,
a flickering old woman,
crinkled fingers drooping
from large jeweled rings
as she sobs in septic sleep
that no lover’s steps
tread the midnights
of her bedroom.
 
ii.
 
Pilgrim
 
Leaving my land, place, roots,
another strange American
dazed with hungers,
breakfast cereal anticipations
for change, glory, just enough lust
to risk Moloch-belly flames
licking fire at asbestos bones,
spinning and circling a torturous orbit
returning me to beginnings,
stubborn, ruthless, orphan greedy,
playing no more rhymes on my toes, Granpa,
past twiddling, caring about rag clad dreams,
leaving me shivering for survival
from frostbite of vindictive atoms
unseen in the bustling commotion
in the churning harbor of unrest.
 
iii.
 
Two Refrains
 
For in darkness women came
and carried his body away.
The children by the shore of the lake
picked up his bones and followed the barge
and shrieked of the games they’d play the next day.
 
And while the children reveled
greed, our god, cloyed our senses
and ignorance, the priest,
drugged our minds,
leaving us stranded
on confusion’s shore.
 
 
 
 

 
 
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 12 published chapbooks and 2 accepted for publication. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions, Fault Lines, Tremors and Perturbations (Winter Goose Publishing) Rude Awakenings and The Remission of Order will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Resonance (Dreaming Big Publications). Virtual Living (Thurston Howl Publications). Blossoms of Decay (Wordcatcher Publishing). Blunt Force and Expectations will be published by Wordcatcher Publishing. His novels include: Extreme Change (Cogwheel Press), Flawed Connections (Black Rose Writing), Call to Valor (Gnome on Pigs Productions) and Sudden Conflicts (Lillicat Publishers). State of Rage will be published by Rainy Day Reads Publishing, Crumbling Ramparts by Gnome on Pigs Productions. His short story collections include, A Glimpse of Youth (Sweatshoppe Publications) and. Now I Accuse and other stories (Winter Goose Publishing). His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City.
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (Leeds University)

Press Release Perturbations Collected Poems by Gary Beck


 
 Perturbations
 
A poetry collection by
 
Gary Beck
 
For Immediate Release
 
Gary Beck’s new poetry book evokes concern about disruptions to the desire for a comfortable, prosperous, untroubled life, Perturbations leads us through all its gloriously chaotic uncertainties.
 
Perturbations is a 129 page poetry book. Available in paperback with a retail price of $11.99,  ISBN: 1941058701 and also in a Kindle version. Published through Winter Goose Publishing. Available now through all major retailers. For  information or to request a review copy, contact:
 
jessica@wintergoosepublishing.com
 

 
Perturbations. Gary Beck Amazon.com
 
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 11 published chapbooks and 2 more accepted for publication. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions, Fault Lines, Tremors & Perturbations (Winter Goose Publishing). Rude Awakenings and The Remission of Order will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Resonance (Dreaming Big Publications). Virtual Living (Thurston Howl Publications). Blossoms of Decay, Blunt Force and Expectations will be published by Wordcatcher Publishing. His novels include: Extreme Change (Cogwheel Press), Flawed Connections (Black Rose Writing) and Call to Valor (Gnome on Pigs Productions). Sudden Conflicts (Lillicat Publishers). State of Rage will be published by Rainy Day Reads Publishing. His short story collection, A Glimpse of Youth (Sweatshoppe Publications). Now I Accuse and other stories will be published by Winter Goose Publishing. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City.
 
Winter Goose Publishing is an independent publisher founded in 2011. We are a royalty-paying publisher dedicated to putting out the best literature in prose, poetry and art; covering a variety of genres. For more information go to: www.wintergoosepublishing.com
 
 
Amazon.com Author Robin Ouzman Hislop
Aquillrelle.com/Author Robin Ouzman Hislop

Robin Hislop Reads at University of Leeds His Poetry and Translations. Video Performance.

This video recording was made at University of Leeds on October 10th. 2017, it was introduced and presented by  Antonio_Martínez_Arboleda Principal Teaching Fellow in Spanish and poet.

The initial image can be enlarged to full screen size. The texts and accompanying images can be easily toggled to place according to requirements.

Below the video also is a link that gives a report and interpretation of the performance by students who attended.

The report is live at http://www.leeds.ac.uk/arts/news/article/5108/2nd_cts_professionalisation_talk_2017-18_international_writers_at_leeds

Hislop’s Cartoon Molecules Collected Poems Reviewed by EM Schorb

Cartoon Molecules is divided into six stoas, or porticos where, safe from the inclement weather of the outer world, the poet, thinking cap on, can walk like the peripatetic philosophers of ancient Greece, his readers following him about, absorbing the wisdom he is imparting, and occasionally, though sometimes without full comprehension, repeating it like rhapsodes. In short, the organization of the book invites one in, each stoa like a carnival tent, magical and intriguing to the starry-eyed reader. One pulls a flap and wonders, “What’s in here?” and is never disappointed. But at the same time. the ultimate subject of Mister Hislop’s extraordinary book is so large, so kaleidoscopic, that, in this reader’s opinion, to do it justice requires much more than a review. Like Joyce’s Finnegan’s Wake, it should have a skeleton key (as by Campbell and Robinson); like the universe, it should have a space traveller who can explore its endless depths. But don’t get me wrong. We get more than enough of magic and beauty when we just get some of it—like beautiful, unknowable life.

Take this sampler, a favorite of mine:

Dream of the machine

At the top of the stairs, perhaps she’s a person
in three persons traffic in her hair hums
life and intelligence a person
a fixed stair with a parading universe
machine intelligence a person
a ballooning moon
a universe in entelechy a person
or is she a simulation
a cartoon molecule in the dream of the machine
as long as she’s prisoner of an unknown
perhaps she’s a simulation
finite limits in a false eternity
voice of a world collapsing endlessly
a frozen world with only leaning things
lapsing crumbling without memory
a world at an end in frosted shadows that ride
in their depths a wilderness
could a machine swallow a universe
or a universe swallow a machine
at the top of the stairs the locusts come
in her hair the simulacrum

In this work Mister Hislop reaches for the ends of being and, I suppose, though he may not think it, ideal grace. Deep in this Hislop-simulated universe of the cartoon molecule that dances its jig throughout his space-time continuum, he searches, as in “Dream of the machine,” for what might be called electronic love. He sings the body electric at the top of the stairs. Who is she? What is she? Machine or woman; or some combination of the two? Is it possible for the reader to think of it/her as Grace, or at least, as “grace”? Mister Hislop seems to think of it/her both ways; but then, isn’t it pretty well accepted that there are multiple universes? Perhaps in one universe she is the one thing, and in another, another.

      1. Is all that we see or seem

 

    1. But a dream within a dream?

Aside from the centuries, Mister Poe and Mister Hislop are not so far apart, and, do you know, despite the objections that I expect from almost everyone, possibly including Mister Hislop, I say the two poets are partners in the exploration of the Universe. “Eureka,” cried Archimedes; Eureka, wrote Mister Poe; Eureka! Mister Hislop, fare thee well, as you explore the world of deep space.
Amazon.com Author Robin Ouzman Hislop
Aquillrelle.com/Author Robin Ouzman Hislop

E.M. Schorb

 
PRIZE-WINNING BOOKS
BY E.M. SCHORB
Books available at Amazon.com
_______________________________________

Dates and Dreams, Writer’s Digest International Self-
Published Book Award for Poetry, First Prize

Paradise Square, International eBook Award
Foundation, Grand Prize, Fiction, Frankfurt Book Fair

A Portable Chaos, The Eric Hoffer Award for Fiction,
First Prize

Murderer’s Day, Verna Emery Poetry Prize, Purdue
University Press

Time and Fevers, The Eric Hoffer Award for Poetry
and Writer’s Digest International Self-Published Book
Award for Poetry, each First Prize

edtor@artvilla.com
robin@artvilla.com

 

Press Release. Key of Mist. A New Volume of Poems Translated from Spanish

 
 
guadalupe-grande-2001
 
 
GUADALUPE GRANDE 
Madrid, 1965. 
 
She has written the following books of poetry: El libro de Lilit (1995), La llave de niebla (2003), Mapas de cera (2006) and Hotel para erizos (2010).
  
She has been translated into French in the book Métier de crhysalide (translation by Drothèe Suarez and Juliette Gheerbrant (2010) and into Italian, in the volume Mestiere senza crisalide (translation by Raffaella Marzano (2015). She made the selection and translation of La aldea de sal (2009), an anthology of Brazilian poet Lêdo Ivo, together with poet Juan Carlos Mestre.
  
Her creative work extends to the territory of photography and visual poetry.http://guadalupegrande.blogspot.com.es/

 
 
OLYMPUS DIGITAL CAMERA
 
Amparo Arróspide (Argentina) has published five poetry collections: Presencia en el Misterio, Mosaicos bajo la hiedra, Alucinación en dos actos y algunos poemas, Pañuelos de usar y tirar and En el oído del viento, as well as poems, short stories and articles on literature and films in anthologies and international magazines. She has translated authors such as Francisca Aguirre, Javier Díaz Gil, Luis Fores and José Antonio Pamies into English, together with Robin Ouzman Hislop, who she worked with for a period as co-editor of Poetry Life and Times, a Webzine. Her translations into Spanish of Margaret Atwood (Morning in the Burned House), James Stephens (Irish Fairy Tales) and Mia Couto (Vinte e Zinco) are in the course of being published, as well as her two poetry collections Hormigas en diáspora and Jacuzzi. She takes part in festivals, recently Transforming with Poetry (Leeds) and Centro de Poesía José Hierro (Getafe).
 
 
robin-portrait-july-sotillo-2016-by-amparo
 
 
Robin Ouzman Hislop is on line Editor at Motherbird.com, Artvilla.com & Poetry Life & Times, his recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N.Carolina), The Poetic Bond Volumes, Phoenix Rising from the Ashes (an international anthology of sonnets) and The Honest Ulsterman. His last publications are a volume of collected poems All the Babble of the Souk & Key of Mist, a translation from Spanish of the poems by the Spanish poetess Guadalupe Grande, both are published by Aquillrelle.com and available at all main online tributaries. For further information about these publications with reviews and comments see Author Robin..
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop
http://www.innerchildpress.com/robin-ouzman-hislop.All the Babble of the Souk

‘Desperate Seeker’ Collected Poems. Gary Beck. (i-v)

 
Gary Beck Image
 

    ‘Desperate Seeker’ is an unpublished poetry collection that uncovers the anger, fear and horror that resounds in the powerful struggle of existence.

 
i.
 
Deception of the Arts
 
The rigors of science
became too demanding
for unwilling students
unprepared for effort,
conditioned by tv
to passive response
to the learning process.
But Americans believed
in higher education,
a cultural imperative
propounded by their fathers
who left the blue-collar class
by attending college,
then wearing suits to work.
 
Competing colleges
obliged unmotivated hordes
by inventing liberal arts,
a superficial taste
of various subjects,
an opportunity
to find a direction
by sampling career choices.
And millions got degrees
that left them unqualified
for any profession,
but they were educated,
deluded into thinking
they were functional.
 
Then the real world reared its head
and illusions melted away
leaving tedious employment,
a poor consolation
for shattered expectations.
So they worked resentfully
deprived of luxury
offered tantalizingly
by bigger and bigger tvs
colorfully displaying
what they could only afford
by purchasing on credit
and going into debt.
 
The best of the liberal arts tribe
taught in inner city schools,
brought social services
to those in desperate need,
yet as our population increased
math and science were neglected,
inventiveness began to fade,
a plague of lawyers roamed the land
expending enormous energy
promoting the concept of lawsuits
to dissatisfied citizens
guided by clever exploiters
to courtrooms of contention
seeking compensation
for the loss of loved ones,
grief replaced by greed.
 
The owners of America
contributed a system
that brainwashed our youngsters
with high moral concepts,
democracy, equality,
removed from their reality
by the vast economic gap
between haves and have nots,
yet many of them believed
they were as good as anyone else,
until the fragile line of credit
suddenly evaporated,
smashing family security
providing no consolation
in the liberal arts.
 
ii.
 
Nurturing Gap
 
Alienation blossoms
faster than comfort
in fractured homes,
roles eroded
by changing society,
television parent
unable to give
preparation to prevent
future confusion.
 
iii.
 
Street People VI
 
I sit indoors
sheltered from rain
watch from my window
city procession
workers, shoppers, tourists,
barely functional homeless,
as intent on arrivals
as the passersby,
lacking urgency,
achieving destination
without comforts.
 
iv.
 
Fading Glory
 
American holidays
retain popularity
on special occasions
with gifts, or fireworks,
more and more forgetting
memorable battles,
our soldier’s sacrifices,
too easily distracted
by internet diversions.
 
v.
 
Noblesse Obligé
 
Declining empires
frequently abandoned
their troops abroad
when they couldn’t maintain
the exercise of power.
The British pioneered
bringing the troops home,
setting an example
for fading America
not to desert
young men and women
doing their duty,
risking their lives
in foreign lands.
 
 
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 11 published chapbooks and 3 more accepted for publication. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays, Perceptions (Winter Goose Publishing). Fault Lines, Tremors, Perturbations, Rude Awakenings and The Remission of Order will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Resonance (Dreaming Big Publications). His novels include: Extreme Change (Cogwheel Press) and Flawed Connections (Black Rose Writing). Call to Valor will be published by Gnome on Pigs Productions and Acts of Defiance will be published by Dreaming Big Publications. His short story collection, A Glimpse of Youth (Sweatshoppe Publications). Now I Accuse and other stories will be published by Winter Goose Publishing. His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City.

 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop
http://www.innerchildpress.com/robin-ouzman-hislop.All the Babble of the Souk

Richard Lloyd Cederberg Reviews All the Babble of the Souk

      ALL THE BABBLE OF THE SOUK

A personal reaction/essay from:
Richard Lloyd Cederberg
________________________________________
 
Initially the title of the book puzzled me. ‘Babble’ and poetry seemed antithetic. But Robin’s usage of the title in the first poem – ‘Africa North’ -seemed to be hinting at something vaster in scope. “All the babble of the Souk, men over there, over there women. All the life of the planet, so little part of it that I breathe” This made it seem like a sweeping vision from a finite point of view. After reading various poems, I saw that the poet’s work was alive with surreal vignettes; visual snippets patched together to create a montage of life’s mysteries, colors, and characters. This particular observation was supported (I felt) in a verse from ‘Lucky Hat Day’. “The world is a patchwork quilt, stitched up to the hilt its seams, which we quarter in our dreams, on which our edifice is built.”
 
Soren Kierkegaard said: “The poet can understand everything, in riddles, and wonderfully explain everything, in riddles, but he cannot understand himself, or understand that he himself is a riddle.” At that point I knew that attempting to dissect the poet’s work in a grand intellectual context was the wrong approach. Besides, I wasn’t qualified. Instead I would read it as if I was sitting under a waterfall and offer back the stimulating way the content was washing over me. First and foremost… I purposed for a better grasp of the title. Something that made sense to me. With that I felt I would have a better chance at apprehending the contents. So that’s where it began.
 
Book titles, for me, are kinda’ like figureheads on the prows of wooden sailing vessels; a face on it, but not the power of it. This title seemed to be corroborating all the chaos and noise humanity makes living their lives and hawking their philosophies and products in a global marketplace. Certainly this obvious interpretation had some merit, but it didn’t seem (to me) to affirm the books ultimate scope. Still curious; I dug into the definitions and discovered something intriguing. There was one definition that stood apart and became a key that started a trickle of water for me.
 
BABBLE as an intransitive verb: to talk enthusiastically or excessively. To utter meaningless or unintelligible sounds. To make sounds as though babbling. As a transitive verb: To utter in an incoherently or meaninglessly repetitious manner. To reveal by talk that is too free.
SOUK… a marketplace in North Africa or the Middle East.
A fuller definition: A marketplace in North Africa or the Middle East.
A bazaar. Also: a stall in such a marketplace. It became personal here.
STALL… A small area set off by walls for a special use. A booth where articles are displayed for sale. The water began to flow stronger now.
 
The Poet’s Stall. You can call it whatever you want but each of us has one. Mind. The seat of the faculty of reason. The poet’s singularity of cogitation. Senses. Telescope. Microscope. Binoculars. Tools. Oxymoron. Pun. Idiom. Simile. Onomatopoeia. Hyperbole. Alliteration. Personification. Metaphor. A verse from ‘The Pine at the Summit’ offered a glimpse into the process. “My mind’s a needle scratching sky, bleeding a sigh of shadow, as through tension of this extension, I summit into ascension.”
 
All poets require a safe [set apart] place they can enter to assimilate and interpret the world around them. A place where they can observe the mysterious vastness of life without being overwhelmed by it. I could visualize, then, a place set apart in the midst of a noisy-plagued-global-marketplace, where the poet could readily analyze, understand, and express the essential (and non-essential) elements of all that was being observed and felt; locally, from his travels, and in a broader global context. Robin’s poetry found the cracks in my defenses then and began hydrating me. Each reading, after that; the content became more meaningful.
 
As someone once said: “It requires wisdom to understand wisdom; the music is nothing if the audience is deaf.” Many say that poetry is an [almost] dead art form. I’m not so sure about that now.
 
For me personally: the essence of profound insight is simplicity. If poets only cater to poets then a part of the ‘souk’ is deprived. Some say poetry is painting with the gift of speech. If this is true, and I believe it is, then Robin’s work, to me, evokes, M.C. Escher, Robert Raushenberg, and perhaps (at times) even Salvador Dali. Readers take caution. Robin is a poet’s poet. A reasoning philosopher who sees life vastly different than most, and, who channels much of what he sees and feels into his work.
“As he affirms in ‘Clear Drops of Water’: “To write is my possession – a given time, a given space, a given self, as if it were an alchemy that could turn blood into wine, we’ve different tastes nature or me.”
 
‘All the Babble of the Souk’ is not simple. It is woven with riddles that, when resolved, offer the reader a singular critique of life from a safe perspective. Robin’s poetry may never be fully grasped by me. It is esoteric. Intriguing. Surreal. Adventurous. Philosophic. Brainy. But even though it demands carefully considered thought to fathom; it still flows as pure water in its declarations, imagery, and suggestions. Poet Hislop’s unique work has heightened my appreciation for the written word.
 
1. I am once again thankful for the depth, beauty, and mysteries of another’s poetic invention.
2. I discovered another beautiful view of the One Tree.
3. I have purposed now to get out of myself (more often) to discover another’s perspective; something quite essential for the poet and creative writer I’m thinking.
4. I can see an aspect of metaphor now that I’ve never known.
5. Poetry is NOT dead.
 
JEG HILSER DEG Robin Ouzman Hislop
 
Richard Lloyd Cederberg
Author/Poet

 

AUTHOR PIC (Large)

 
August 2007 Richard was nominated for a 2008 PUSHCART PRIZE. Richard was awarded 2007 BEST NEW FICTION at CST for his first three novels and also 2006 WRITER OF THE YEAR @thewritingforum.net … Richard has been a featured Poet on Poetry Life and Times Aug/Sept 2008, Jan 2013, Aug 2013, and Oct 2013 and has been published in varied anthologies, compendiums, and e-zines. Richard’s literary work is currently in over 35,000 data bases and outlets. Richard’s novels include: A Monumental Journey… In Search of the First Tribe… The Underground River… Beyond Understanding. A new novel, Between the Cracks, was completed March 2014 and will be available summer 2014.
 
Richard has been privileged to travel extensively throughout the USA, the provinces of British Columbia, Manitoba, Alberta, and Saskatchewan in Canada, the Yukon Territories, Kodiak Island, Ketchikan, Juneau, Skagway, Sitka, Petersburg, Glacier Bay, in Alaska, the Azorean Archipelagoes, and throughout Germany, Switzerland, Spain, and Holland… Richard and his wife, Michele, have been avid adventurers and, when time permits, still enjoy exploring the Laguna Mountains, the Cuyamaca Mountains, the High Deserts in Southern California, the Eastern Sierra’s, the Dixie National Forest, the Northern California and Southern Oregon coastlines, and the “Four Corners” region of the United States.
 
Richard designed, constructed, and operated a MIDI Digital Recording Studio – TAYLOR and GRACE – from 1995 – 2002. For seven years he diligently fulfilled his own musical visions and those of others. Richard personally composed, and multi-track recorded, over 500 compositions during this time and has two completed CD’s to his personal credit: WHAT LOVE HAS DONE and THE PATH. Both albums were mixed and mastered by Steve Wetherbee, founder of Golden Track Studios in San Diego, California.
 
Richard retired from music after performing professionally for fifteen years and seven years of recording studio explorations. He works, now, at one of San Diego’s premier historical sites, as a Superintendent. Richard is also a carpenter and a collector of classic books, and books long out of print.

 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop
http://www.innerchildpress.com/robin-ouzman-hislop.All the Babble of the Souk