Press Release The Poetic Bond V11 (2017)

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THE POETIC BOND VII

ISBN-13: 978-1978098039, ISBN-10: 1978098030
Publication Date 17 NOV 17

The seventh, annual, international poetry anthology in
The Poetic Bond Series. 112 poems by 50 poets from 17 countries, drawn from new media, professional and social networking, giving a snapshot of 2017 which could be said to capture the zeitgeist of contemporary poetry

Comments on The Poetic Bond Series
“The poetry that fills this book is moving, deep and affirming … A beautiful publication that will rest on top of my favorite books of poetry.”
Nicholas Chiarkas (WI, USA)
“I am very impressed with much of the excellently crafted writing”
Robin Hislop (UK, artvilla.com)

Biographies of the Poets of the year’s anthology available at http://www.thepoeticbond.com/Meetthepoets2017.htm

Pre-order your copy for a 33% discount for £9.99 or $11.99 (RRP £14.99/$17.99) at www.thepoeticbond.com

All poets included in the anthology are now voting for
THE POETIC BOND CHOICE POETS’ CHOICE AWARDS 2017
Poets, this year, get to vote for the three poems in the anthology which they find most engage and inspire them. The poems that win the most votes, in a 1-2-3 preferential voting system, will receive an award of $25. So, TO BE CLEAR, for 2017, The Poets of The Poetic Bond VII will select The Poetic Bond Poets’ Choice Award Winners for 2017.

Full details below and available at www.thepoeticbond.com
Editors’ Notes

1. Press contact Trevor Maynard at poetry@trevormaynard.com on 0 44 7966 079968 or by snail mail at Willowdown Books, 105 Crockford Park Road, Addletone, Surrey, UK, KT 15 2LP

2. The Poets of The Poetic Bond VII (2017) are Amber Jimenez-Flores (US)/ Annel Bell Martin (US)/ April Fallon (US)/ Belinda DuPret (UK) Betty Bleen (US) / Melissa Bird (UK)/ Diane Burrow (UK) / Christine Anderes (US) / Cigeng Zhang (China) / Chris Maynard (UK) / Darrell Wright (US) / Deborah Nyamekye (Ghana) / Denisa Parsons (US) Elaine Battersby (UK)/ Fiona Sullivan (UK) / Bonnie J. Flach (US) / Flavia Cosma (Canada) Gil Franke (US) / Kelli Gunn (Canada) / Pamela Hope (US) / Jane Johann (US) Joseph Simmons US) / Joseph Sinclair (UK) / Karen Henneberry (Canada) / Karen Nurenberg-Rothstein (US) / Kayla Matheson (US) Sajida Khan (UK) / Lee Landau (US) / Lexene Burns (Australia) / Madeline Lipton (US) Lizzie La Pool (UK) / Tatjana Lončarec (Croatia) / Low Kwai Chee (Malaysia)/ Marcia Weber (UK) Mariangela Canzi (Italy) / Marie Youssefirad (US) / Mustofa Munir (US) / Nancy Scott (US) Pedro Cunha (Portugal) / Richard Glen Smith (US) / Robin Ouzman Hislop (UK/Spain) / Suzanne Askham (UK) / Nana Tokatli (Greece) / Tom Sterner (US)/ Trevir Maynard (UK) / Vensa Adriana Arsenic (US) Brian Walker (UK)/ William DiBenedetto (US) / Vi De Vries (Friesian/Canada) / Lynne Zotalis (US)

3. All poems selected for publication will be automatically be put forward for The Poetic Bond Poets’ Choice Award, which will consist of three prizes of $25 for winning poems. The award winners will be chosen by a process preferential voting by the poets who will have been selected for publication in The Poetic Bond VII. Neither the editor, nor anyone connected with the production of The Poetic Bond Series, will have any input into the selection of award winners. The Award Winners will be announced after publication. Further details available at www.thepoeticbond.com

4. Trevor Maynard, UK based poet, writer and editor. He is owner/manager of Poetry, Review and Discuss Group, a major poetry group on LinkedIn. His new poetry collection is GREY SUN, DARK MOON was published September 14 2015. He is also the author of several plays. Further information at http://www.trevormaynard.com

5. Making a Poetic Bond – the ethos behind putting together the anthology
The process of selecting poems for publishing The Poetic Bond series is unlike any other in that there is no set plan as to what will be published. It depends on the themes which emerge from the pool of work submitted, or to put it another way, the poetic energy which comes together at this certain time and place. Where themes emerge, patterns of energy harmonize, form bonds, connections, and these in turn lead to interconnected chapters, and the creation of a holistic volume, deeply connected with humanity, nature, and the universe.

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Amazon.com Author Robin Ouzman Hislop
Aquillrelle.com/Author Robin Ouzman Hislop

Announcement. The Poetic Bond 6 Release.

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POETRY THAT BINDS, POETRY THAT BONDS

THE POETIC BOND VI

ISBN-13: 978-1539334682 

The Only

ANNUAL INTERNATIONAL POETRY ANTHOLOGY

actively sought specifically from

New Media, Social and Professional Networking

 

Publication Date 5 November 2016

Making a Poetic Bond – the ethos behind putting together the anthology
 
 
Available at The Poetic Bond
&
Amazon.com The Poetic Bond VI
 
 
The process of selecting poems for publishing The Poetic Bond series is unlike any other in that there is no set plan as to what will be published. It depends on the themes which emerge from the pool of work submitted, or to put it another way, the poetic energy which comes together at this certain time and place. Where themes emerge, patterns of energy harmonize, form bonds, connections, and these in turn lead to interconnected chapters, and the creation of a holistic volume, deeply connected with humanity, nature, and the universe.

 

37 poets from 12 Countries

Canada, China, England, France, Greece, Hungary, Israel, Malaysia,

Netherlands, Scotland, Spain, USA, and Wales

“Poetry, both reveals and shares our humanity”

(Trevor Maynard, editor The Poetic Bond Series)

THE POETIC BOND VI

 

  1. Trevor Maynard, UK based poet and writer, manager of Poetry, Review and Discuss Group, a major poetry group on LinkedIn. His new poetry collection is GREY SUN, DARK MOON was published in 2015. He is also the author of several plays. Further information at http://www.trevormaynard.com

 

  1. The Poets of The POETIC BOND VI (2016) are; Amanda Eakin (Ohio, USA), Rebecca Behar (France), Belinda Dupret (West Sussex, England), Betty Bleen (Ohio, USA), Bonnie J. Flach (California, USA), Bonnie Roberts (Alabama, USA), Carey Link (Alabama, USA), Christine Anderes (New York, USA), Cigeng Zhang (Beijing, China), Diane Burrow (Oxfordshire, England), Diane Colette (Florida, USA), George Carter (London, England), George C. Robertson (Dundee, Scotland), GK Grieve (England), Greg Mooney (North Carolina), Hongvan Nguyen (Virginia, USA), Ian Colville (Bedfordshire, England), Jill Angel Langlois (Illinois, USA), Joseph J. Simmons (Maryland, USA), Jude Neale (British Columbia, Canada), Kwai Chee Low (Kuala Lumpur, Malaysia), Lawrence W Lee (Arizona, USA), Linda Mills (Oregon, USA), Madalena Fine (West Sussex, England), Marli Merker Moreira (Sao Leopoldo, Brazil), Miklos Mezosi (Budapest, Hungary), Michael Melichov (Israel), Nana Tokatli (Greece), Neetu Malik (Pennsylvania, USA), Trevor Maynard (Surrey, England), Pushpita Awasthi (the Netherlands), Robin Ouzman Hislop (UK & Spain), Rowland Hughes (Bridgend, Wales), Swaizi Vaughan (Texas, USA), Wendy Joseph (Washington, USA), William DiBenedetto (Seattle, USA) , and Will Walsh (Florida, USA)

 
The Anniversary
 
The hand cocked at an effeminate angle
Holds the ashen tipped cigarette
This embering appears soft
It teases one to touch before it falls
Pompeii comes to mind
 
His hair is dirty white and cumulus grey
Accent Portuguese, hooded eyes
That famous olive skin bleached by
English pastures and pub lunches
“Zespezilly,” he intones “Thiz day!”
 
Another paper on the table, Shag available
His companion lilts ole Suffolk
“Truth is, I’s bored…”
He cusses, in that way that twists words
When they are not your Mother Tongue
“Every ******* day now”
 
She twirls her wedding band
He wears none; no tan marks either
“Do you agree?” He asks, leaning,
His shoulders rise and fall, ash burns her skin
“Does any of it matter?”
 
Vesuvius looms in their memory
Their betrothal, their wedding
But their emotions remained frozen in ash
Inevitably to drop like old skin
Fine idea it was, however familiarity bred
 
The hand cocked
The accents devilishly hinted passion
Loving not wisely but too well
Thirty years to the day
The innocence of youth left
 
“Can we remain friends?”
Sympathy undermines her sincerity
They both know this is so
But he is the more hurt, meaner
“Damn you and your English reserve!”
 
You see, it had simmered
Their intolerance of each other
Their mutual exoticism, passion
But in the end, hate is easier
It needs fewer syllables, less imagination
 
The last cigarette drops
They go to the hotel to fuck
Splitting up sex, divorce. He signs
The papers and leaves her sleeping
Too well in death and paper cuts
 
© 2009 GK Grieve. Published in The Poetic Bond III © 2013
 
 
 
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Review Phoenix Rising from the Ashes

Richard Vallance
An appeal to poetry critics to review The Phoenix Rising from the Ashes: Anthology of Sonnets of the Early Third Millennium
 
Since its publication in November 2013, The Phoenix Rising from the Ashes: Anthology of Sonnets of the Early Third Millennium, has generally been met with positive reviews from purchasers and poetry reviewers. As editor of the anthology, I for one freely admit that several authors display considerable talent, while some, I believe, are exceptional sonneteers who have penned poems, which may one day be viewed as masterpieces of the genre.
 
There are also scores of sonnets in languages other than English,French, Spanish, Chinese, German and Farsi, while the English sonnets run from page 15 to 135, comprising 60% of the total in the anthology, sonnets in all other languages span pages 142 to 222, accounting for the remaining 40%.
 
A number of reviewers have already accorded decent marks to the anthology and I sincerely believe that most new critics and informed readers will be able to dispassionately review the anthology. On the other hand, it is equally incumbent to flag at least a few of the sonnets which display considerable talent and especially those which you, as a reviewer, consider to be jewels, pièces de résistence.
 
I am not saying that those of you poetry critics who read English only should feel discouraged from reviewing the anthology. Far from it, it is generally taken for granted that the majority of literary critics of English literature are allophone English, given that English is almost universally considered lingua franca of the world. Of course, I also welcome bilingual or multilingual critics, who are well positioned to critique the remaining 40% of “foreign- language” sonnets.
 
I entreat those of you who are poetry critics to give your dispassionate opinion of the anthology, what we are looking for is an objective appraisal, insofar as it is humanly possible. It does not matter whether you find the anthology below average, average or superior.
 
Regardless of your overall appraisal of the merits and demerits of this anthology, I shall send you all your own copy of the PDF version. Finally, it would be beneficial to the editors and sonneteers alike if you would rate it on a scale from 1 to 5. Also, the Editor who is at present publishing this appeal, every reviewer should bear this in mind, has promised to publish any of the reviews providing they are fair minded & objective in at at least two of the three sites herein listed: Motherbird.com, Artvilla.com or Poetry Life & Times.
 
I am grateful for the endorsement of this appeal by Robin Ouzman Hislop of Poetry, Life and Times. Richard Vallance
 
The Phoenix Rising from the Ashes http://vallance22.hpage.com is also available in hard cover, soft cover and PDF formats from Amazon.com, Barnes & Noble and Chapters.ca, among other online outlets.
 
The home page of the author, Richard Vallance, now a well-established professional historical linguist of ancient Mycenaean Greek, is Linear B, Knossos & Mycenae https://linearbknossosmycenae.wordpress.com, which has become the premier site for research into Linear B on the Internet since its inception in 2013. An internationally acknowledged historical linguist, in 2015 he was published in an international European conference proceedings and in the prestigious annual, Archaeology and Science (Belgrade), and is set to be published later this year in at least one other major international venue for historical linguistics. He is also an active member of one of the world’s most professional research sites, academia.edu, where you will find his page at https://westernu.academia.edu/RichardVallance/Papers

 
 
 
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