Eulogy for Freedom Poem by Sara L Russell March 30 2021

 
Was it here we used to drink on Saturday afternoons,
on the beer garden decking, under the trees,
you would be talking of funny things that happened
in your student days,
or the woes of working life
and I would find myself looking down at a garden
far below the upper decking,
wondering who lived at the house there
and if they were anything like us…
.
Was it every third or fourth weekend we might
jump on the bus to Tunbridge Wells,
to wander around the Pantiles;
to go treasure hunting
in bespoke jewellery and antique shops,
to dine at The Tunbridge Wells Hotel
on open steak sandwiches, drink
fine Malbec, watch people pass by
outside, and dream, and speak of future plans…
.
DId we really sometimes stay at that hotel in Bath
and visit that spa; did I dream that I swam
in the rooftop pool overlooking the city?
Did our hotel really have two swimming pools
and a sea of lavender surrounding the terrace?
I look at a photo I took through the window
of our room, at the full moon
through a black tracery of tree branches;
it seems worlds away now.
.
Watching a show on TV last night
I could only wonder
did people really
pile into those huge stadiums
swaying, waving, singing along
with the good old boys of rock n roll;
or purveyors of soul, or singers of blues
where everyone was carried away
on magic carpets of music,
with the base jumping, fists pounding
and hearts all bursting with joy?
.
Was it really only a couple of years ago
that friends and relations could still be reunited
with embraces and kisses?
Is the past forever foregone
or is there a place somewhere
which might let us return,
as easily as opening a door?
Just send me the key.
I swear I will stay faithfully indoors
until it arrives.
 
 
Sara Russel latest
 
 
Sara Louise Russell, aka PinkyAndrexa, is a UK poet and poetry ezine editor, specialising particularly in sonnets, lyric-style poetry and occasionally writing in more modern styles. She founded Poetry Life & Times and edited it from 1998 to 2006, when she handed it over to Robin Ouzman Hislop, who now runs it as Editor at this site. Her poems and sonnets have been published in many paper and online publications including Sonnetto Poesia, Mindful of Poetry and Autumn Leaves a monthly Poetry ezine from the late Sondra Ball. Her sonnets also currently appear in the recently published anthology of sonnets Phoenix Rising from the Ashes. She is also one of the first poets ever to be published on multimedia CD ROMs, published by Kedco Studios Inc.; the first one being “Pinky’s Little Book of Shadows”, which was featured by the UK’s national newspaper The Mirror, in October 1999. – (Picture link for Mirror article) – Angel Fire

 
 
 

Robin Ouzman Hislop is Editor of Poetry Life and Times ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

Peace and Motion by Shakiba (Yorkshire Arts) and Tony Martin Woods An Ekphrastic Poem


 
Shakiba (a Persian word for a patient, tolerant and gentle person) is an artist based in Leeds, Yorkshire, since 2014. She is self-taught and works with Acrylic Pouring Techniques. Painting helped her to overcome the stress of her PhD thesis in a scientific discipline, which she completed in 2020. Editor’s note: for further viewing of Shakiba’s paintings & bio go to: https://yorkshire.art/directory/artist/shakiba/
 
 
 
tony republic
 
 
Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada , an online publication of political poetry that he edits & (Transforming with Poetry) see Facebook.com. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016.

An Audio Text Poem by Robin Ouzman Hislop – Holocene –


 
 
 

 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

An Audio Text Poem Over the Traces by Robin Ouzman Hislop


 
 
 

 

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

 

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

An Audio Text Poem by Robin Ouzman Hislop Tessellation


 
 
 

 

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

 

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

Robin Hislop reads Amparo Arróspide´s Poem Can´t All Poets. Arrangement by Dave Jackson. Guitar Andy Derryberry

 

 
 

* A poem by Amparo Arróspide, from “En el oído del viento” (Baile del Sol, 2016). 
Hers and Robin Ouzman´s translation.

***
Can't all poets 
get a PhD in synesthesia
by the University of Columba in New York?

Can´t they harvest medallions under the moon?

Can´t they work as professors of Punic Sciences?
As kindergarten teachers, can´t they work?
Can´t they translate their 14th century Chinese 
concubine colleagues?

Can´t they afford to pay for
their third self-published volume? 

Can´t all poets live on air?

Can't they rummage, deconstruct , snoop
build for themselves a submerged house
inhabit a crystal palace?

Can´t they repeat over and over the unsaid
incite questions of ethical and aesthetic weight
dismantle and fragment reality?


Can´t they receive writing 
from a yearning and swift
void?
From a primordial nothingness?

Can´t they mortgage their crystal palace 
their submerged house?
Can´t they rebelliously peddle little stars?

Can´t all poor poets steal books?
Can´t they read so
the complete works by Samuel and Ezra and John
by Juana Inés, Alejandra and Gabriela
by Anne and  Margaret and Stevie
by Wallace and Edgar and Charles
by Arthur and Paul and Vladimir
by Dulce and Marina and Marosa?

And etcetera and etcetera and etcetera and etcetera?

Can´t all poets
add more beauty to beauty
and more horror to horror?

Can´t they draw maps and routes
of the invisible, futuristic city
foretold by their dreams?

Can´t they pursue the intangible
Move towards permanence
so that a poem
becomes a closed and completed vehicle
to treasure a present without behind or beyond?

Can't they unfold and transmigrate
can't they achieve mindfulness 
Can´t they stammer forever
into everlasting silence? 

**

Presenting The You Tube Poets

Description
We are a group of poets making a TV pilot for a documentary about presenting our poetry on YouTube. We hope to approach a mainstream TV channel with the finished pilot, and may upload a complete documentary after the first few versions have been added here. This channel will be shared with participating poets and those poets who wish to submit work for consideration to be added to the documentary. The poet in the inset photo is Nordette Adams. I am Sara Russell, aka pinkyandrexa, and I will be editing the different versions of The YouTube Poets video until we have a final version that everyone is happy with. Please visit the link below the video to subscribe and send us your on You Tube Poems
 

 
You Tube Poets Channel see also YouTube Poets http://www.twitter.com/PoetsTube to follow

 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

Wartime And Everyday Blues. A Poem by Phillip Christopher Henry

 
Scourin’ the racks
at the D-A-V
for some thing
that says Blues
that sings
other times
vivid in
bottleneck steel string
guitar caterwaulin’
Mississipp,
found an ancient,
long-to-the-shins
olive drab double-breasted
heavy-as-1942
United States Army issue
stiff sandpaper collar,
tall-on-the-neck-of-a-GI-my-size
coat.
 
Slip my arms down sleeves
a dozen years older
than the flesh and bone going in,
gaze at the reflection
looking back from inside
a tall looking glass,
and wonder why
the perfect fit
feels so wrong,
why the same bold coat of
Hollywood World at War
flickering light movie star
hero posturing
monochrome pompadour
looks paltry beneath
haphazard chaos
of thin gray hair,
midriff bulging and
cheeks stretching
almost into jowls.
 
Pull on the collar and
sixty-two year old wool
meets fifty year old face and
scrub of dry sagebrush goatee,
mirror reflecting incongruity,
and ponder how this
thing of wartime
and heroes
just won’t fit
my everyday blues.
 
“Wartime and Everyday Blues” appeared in Lullwater Review, Vol XV, No 2 (2005)
 
https://www.facebook.com/philliphenrychristopher/
 

 
Poet, novelist and singer/songwriter Phillip Henry Christopher spent his early years in France, Germany and Greece. His nomadic family then took him to Mississippi, Georgia, Ohio and Vermont before settling in the steel mill town of Coatesville, Pennsylvania, where he grew up in the smokestack shadows of blue collar America.Escaping high school, he made Philadelphia his home, alternating between Philly and cities across America, living for a time in Buffalo, New Orleans, Fort Worth, even remote Fairfield, Iowa, before settling in Indianapolis. While wandering America he has placed poems and stories in publications across the country and in Europe and Asia, including such noteworthy journals as The Caribbean Writer, Gargoyle, Lullwater Review, Hazmat Review, Blue Collar Review, Haight Ashbury Literary Journal, Blind Man’s Rainbow and New York Quarterly
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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