Five Poems in Italian & English Antichi suoni d’amore, Ancient Sounds of Love by Michela Zanarella Translated to English by Leanne Hoppe

Antichi suoni d’amore

L’istante di un sospiro
si aggrappa all’anima
allagando gli occhi
di segreti.
É il cuore
che salta in cielo
a pochi passi dall’eterno.
Percorre lunghi sentieri
di felicità
e si ferma a sciogliere
le pelli sotto gli echi
della sera.
Mentre il tramonto
resta una mano tremante
d’emozione,
le labbra danzano tra loro
e s’inebriano,
di vertebre tese
a trovare quel cielo lontano
che ha strappato i silenzi
per rievocare antichi suoni d’amore.
E continuano a correre
le voci
risorgendo sole al mattino.


Ancient Sounds of Love

The instant of a sigh
grasps onto the soul
flooding the eyes
with secrets.
It is the heart
which jumps in the sky
to a few steps from eternity.
It travels long paths
of happiness
and stops to melt
the skins underneath the echoes
of the evening.
While the sunset
stays a trembling hand
of emotion,
the lips dance between themselves
and inebriate themselves
of tense vertebrae
to locate that faraway sky
that has torn silences
in order to recall ancient sounds of love.
And they continue to run
the voices
resurrecting sun to the morning.

Mongolfiere

Una lacrima cresce tra le mani,
diventa fiume in corsa nelle vene
appena ti allontani.
Non vivo senza il chiaro dei tuoi risvegli,
quando mi baci prima di partire
e stringi il cuscino per annusare l’odore
che ci ha unito nell’infinito.
Ho ascoltato il canto delle serrature
fingendo che fosse solo musica,
ho visto il tuo sorriso svanire
dietro gli angoli d’uno sbadiglio.
Dormo ancora.
Appari dentro i colori d’un arcobaleno
voli nelle mongolfiere dell’anima,
spargi coriandoli di vita dalle sponde del cielo,
accompagni un bimbo al parco della giovinezza,
un uomo abbracciato alla propria immagine
che gioca con palloni di luce
nelle strade bianche della libertà.
Il sogno respira la mia mente.
Trovo una pagina di terra da riempire,
scrivo col fiato qualche domanda,
chiudo gli occhi
e parlo di te alla solitudine.


Hot-Air Balloons

A tear grows between the hands,
it becomes a stream in motion in the veins
as you separate yourself.
I do not live without the bright of your awakening,
when you kiss me before leaving
and you cling to the pillow for the smell
that has joined us in the infinite.
I heard the song of the locks,
imagining that it was only music,
I saw your smile vanish
behind the angles of a yawn.
I sleep yet.
You appear inside the colors of a rainbow,
you fly in hot-air balloons of the spirit,
you scatter confetti of life from the banks of heaven,
you accompany a child to the gardens of youth,
a man nestled to the typical image
that plays with balls of light
in the white streets of freedom.
The dream inhales my intellect.
I find a page of ground to fill,
I write with the breath some question,
I shut the eyes
and I speak of you to the solitude.

Arcobaleni e rugiade

Dove il fiato mi consente
pettino i giorni con un sorriso.
Assorta ad inseguire sogni
come una vita,
con il silenzio dell’anima
provo a fermare I binari
del tempo,
fino a fingermi fioca luce
nel grembo dell’eternità.
Solo un fischio di luna
srotola il mio vagare tra i cieli
e mi riporta
tra le geometrie di terra,
stanca, ad incontrare la realtà.
Sfoglio I grigiori di città
tra arie incattivite da nebbie sporche
ed esistenze ammuffite
nel chiasso e nella velocità.
Mentre i fiumi esplodono
ed I ghiacci si consumano,
con gli occhi infangati di rabbia
cerco un po’ di calma
nel mio mondo ancora immacolato.
Arcobaleni e rugiade
hanno la mia voce.


Rainbows and Dew

Where the breath allows me
I comb the days with a smile.
Absorbed by chasing dreams
as a life,
with silence of the soul
I try to stop the tracks
of time,
I will put an end to pretending to be feeble light
in the lap of eternity.
Only a whistle of the moon
unrolls my wanderings among the heavens
and brings back to me
between the geometries of the earth,
stagnant, to meeting the reality.
I browse the grayness of the city
through songs in captivity of filthy hazes
and molded existences
in noise and in speed.
While rivers burst forth
and ices are consumed,
with eyes stained by anger
I look for a bit of calm
in my world still immaculate.
Rainbows and dew:
they have my voice.

Calde piume

Sintesi di luci imprigionate
nel lento tintinnio d’ormeggi.
Manovre costanti di vento
spingono le vele verso un podio
azzurro
in fusione perfetta col mare.
Gruppi di gabbiani
giocano tra cerchi di sabbia,
sfidando le mutevoli forme
capricciose del sole.
Ali di paradiso,
giganti messaggeri del silenzio
indispettiti dal vocio parallelo
d’altri esploratori d’acque,
lanciano grida convulse
alla conquista di terre lontane.
Trionfa il volo verso l’ignoto.
Oltre le nuvole
tramonti scelti,
destini conclusi,
amori protetti
da calde piume di neve.

Hot Plumes

Synthesis of imprisoned lights
in the slow jingling of moorings.
Steady drives of wind
they push the sails toward
an azure podium
in perfect fusion with the sea.
Packs of seagulls
playing among circles of sand,
challenging fickle forms,
whimsical of the sun.
Wings of paradise,
giant messengers of silence
you get annoyed by a parallel bawl
of the next explorers of waters,
they throw cries unrestrained
to the conquest of distant lands.
Triumph, the flight direction unknown.
Beyond the clouds
sunsets chosen
destinies concluded
loves protected
in the hot plumes of snow.


Come una Venere

Mi apparve muta la sera
in una carezza scura di attimi.
Le sue braccia mi raccolsero
dal profumo del giorno
e mi condussero in una terra
che spiava i sogni e le nuvole.
Sguardi d’angelo
cercavano il mio respiro
per spingere lontano cuori spenti
e lacrime mascherate di gioia.
Indossai la luce
e mi lasciai tuffare tra I rami
ed il grano.
Cantai in coro lodi alla vita
tra il pullulare di polline
e resine.
Mi feci amare dal cielo
come una venere aggrappata
ai venti.
Somigliavo ad una nave
d’argento scalza
pronta a pescare al fondo
le lucciole e gli amori.
Erano bianche le mie impronte
tra i tramonti,
come l’onda trascorsa a
ritornare bagliore.


As a Venus

It seemed to me silent, the night
in a caress dark of moments.
His arms gathered me up
out of the perfume of the day
and they led me into a ground
that spied the dreams and the clouds.
The angel’s glances,
they desired my breath
in order to incite distant hearts extinguished
and masked tears of joy.
I put on the light
and I let go of myself to dip among the branches
and the wheat.
I sang in choir hymns to life
among the swarming of pollens
and resins.
I made the sky love me
as a Venus clinging
to the winds.
I was compared to a silver barefoot ship
ready to fish from the deep
fireflies and romances.
They were white, my imprints
among sunsets,
as a wave passed to
returning shine. 


 
 
Michela Zanarella was born in Cittadella (PD) in 1980. Since 2007 she lives and works in Rome. She published the following collections of poetry: Credo (2006), Risvegli (2008), Vita, infinito, paradisi (2009), Sensualità (2011), Meditazioni al femminile (2012), L’estetica dell’oltre (2013), Le identità del cielo (2013), Tragicamente rosso (2015), Le parole accanto (2017), L’esigenza del silenzio (2018), L’istinto altrove (2019). In Romania the collection Imensele coincidenţe (2015) was published in a bilingual edition. In the United States, the collection translated in english by Leanne Hoppe “Meditations in the Feminine”, was published by Bordighera Press (2018). Author of fiction books and texts for the theater, she is a journalist of Periodico italiano Magazine and Laici.it. She is one of the eight coauthors of Federico Moccia’s novel “La ragazza di Roma Nord” published by SEM. Her poems have been translated into English, French, Arabic, Spanish, Romanian, Serbian, Greek, Portuguese, Hindi and Japanese. She won the Creativity Prize at the Naji Naaman’s 2016 International Award. She is an ambassador for culture and represents Italy in Lebanon for the Naji Naaman Foundation. She is speaker of Radio Double Zero. Corresponding member of the Cosentina Academy, founded in 1511 by Aulo Giano Parrasio. She has worked with EMUI_ EuroMed University, a European inter-university platform, and deals with international relations. She is President of the Italian Network for the Euro-Mediterranean Dialogue (RIDE-APS), Italian leader of the Anna Lindh Foundation (ALF). Honorary President of the WikiPoesia Poetic Encyclopedia.   https://www.facebook.com/MichelaZanarellaOfficial https://twitter.com/michelazanar
 
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com See Robin performing his work Performance (University of Leeds)

Fair Play (As the stars give and take) A poem by Tony Martin-Woods

Roaring Applause
    “The future belongs to those who believe in the beauty of their dreams”
cried the politician, to the excited crowd of tender eyes hit by a trembling sunset Roaring Applause It was an evening of sweat, joy, hope, cheers, banners, drinks, hot dogs, mobile pics, flags and burgers, accidental rubbing of bodily parts, human communion, siblings in arms, shoulder to shoulder, etcetera, etcetera and vice versa all over again They go home now, the event has been consumed, empty all around plastic tall walls plastic cheap stands enclosure formerly green ground of pride covered with dead litter No burial or cremation in this funeral of dusk. Sigh The happy cleaner in charge of clearing single-handedly all the mess went on to the silent stage and shouted husky non-binary vocal chords eyes cast on the sky: Sigh
    I am the only owner of my sexual fantasies with any of you My brain is mine, perhaps a glorified gut, who knows Every shot or scene that I project inside my head with my genitalia-powered camera with my solo heart-pumped streaming belongs solely to me No intellectual property! No performance rights! No subscription fees! Bring your own clothes, or make use of any of my free unlimited costumes in my free exclusive staff undressing room I solemnly promise I will not broadcast nor disseminate any footage whatsoever, so, please, don’t worry about pain or shame, or the pertinence or aesthetics of our postures: We all shall be healed in my dreams lonely we love each other, deep, in full, as one
Fair play Meanwhile, high up, neutron stars thinking themselves as discreet hunters fall prey of inverse matter of no colour unthought of For our light through darkness comes

Quote at the beginning of the poem: apparently first made, literally, by Eleanor Roosevelt, but it could have been said, and will be said in the future, by many other people.
 

Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change 100tpc.org/. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda at the University of Leeds. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ .

He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons the Nation Paperback , Goddess Summons the Nation Kindle Edition , is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English, available in print and kindle in Amazon and other platforms. Editor’s note: further information bio & academic activities can be found at this link: https://ahc.leeds.ac.uk/languages/staff/91/antonio-martinez-arboleda

 
 
 
 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com See Robin performing his work Performance (University of Leeds)

Transforming with Poetry December 2021

Presenting Vera Moreno, with Samar Shahdad, Maggie Hall, Robin Ouzman Hislop, Mussarat Rahman, Mike Baynham and Antonio Martínez Arboleda.
 
 
 

Transforming with Poetry November 2021

A poetry session with R.W. Haynes, who presented his book Heidegger Looks at the Moon, Mussarat Rahman, Maggie Hall, Robin Ouzman Hislop, Adil Latefi, Manuel Neto Dos Santos, Mike Baynham and Antonio Martínez Arboleda. Translations & originals from Portugese & Arabic, Adil Latefi, Manuel Neto Dos Santos, Mike Baynham, Video artwork Mussarat Rahman, Maggie Hall, Mike Baynham & Robin Ouzman Hislop. Poems Magie Hall & Antonio Martínez Arboleda English & Spanish. Review Heideger looks at the Moon, Robin Ouzman Hislop & his poems read by RW Haynes.
 

 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

If the Vaccine doesn’t work – here’s the Code. A Visual Poem by Antonio Martínez Arboleda

Editor’s Comment; a poem written in 2 languages (3 actually)

 
 

 
Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change 100tpc.org/. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda at the University of Leeds. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ .

He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons the Nation Paperback , Goddess Summons the Nation Kindle Edition , is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English, available in print and kindle in Amazon and other platforms. Editor’s note: further information bio & academic activities can be found at this link: https://ahc.leeds.ac.uk/languages/staff/91/antonio-martinez-arboleda

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ;
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com
See Robin performing his work Performance (University of Leeds)

(English & Spanish) A Poem by Antonio Arboleda. Vida. (Life)

Image: Calle Santo Domingo, Lorca (Spain), showing the house where Antonio was born and his mother, Lucia, in the balcony of their flat.
 
Life
 
To my father, Antonio Martínez Manzanera, who passed away on 28 March 2021
 
You leave behind a trail of victims.
 
How many voices,
unique children
delivered to your light,
did you end up strangling
with your own hands, Life?
 
You kept up the appearances
deceiving those humans
who believed themselves
boundless,
who felt accepted by the matter
of an uncanny universe
that turns out to be
just a sad arrangement
of rough stones and gases,
a universe that enslaves you,
Life,
as its precarious
exotic whim,
forcing you to leapfrog
through chosen planets,
and drag yourself
in travelling theatres
for your vanity,
and your honour,
Life.
 
My thinking carbon molecules,
the impression of my spirit,
are not members
of any ruthless club
of inert particles,
of empty energies,
of graceless big bangs
with no purpose,
with no story to tell.
 
Life,
if there exists a divine mystery,
sweet and tragic,
mother, parricide,
redeeming saviour,
defying the dark,
clumsy ways of physics
that must be you,
Life,
That must be you.
 
 
 
Vida
 
A mi padre, Antonio Martínez Manzanera, fallecido el 28 de marzo de 2021
 
Dejas a tu paso un reguero de víctimas.
 
¿Cuántas voces únicas,
hijas paridas en tu luz,
terminaste ahogando
con tus propias manos, Vida?
 
Tus apariencias engañaron
a más de uno,
que se creyó sin límites,
aceptado por un universo
que resulta estar hecho
de pedruscos y gases,
por un universo
del que no eres más
que lacaya en precario,
Vida,
capricho excéntrico
que de salto en salto se arrastró
por planetas elegidos,
teatros ambulantes
de tu vanidad,
y de tu honra,
Vida.
 
No es mi carbono pensante
ni el espíritu de mi impronta
miembro de ese club despiadado
de partículas inertes,
de vanas energías,
de big bangs
sin propósito, ni narrativa.
 
Vida,
si existe un misterio
y una divinidad,
dulce y trágica,
madre, parricida,
salvadora y redentora,
desafiando las artes oscuras
ramplonas
de las físicas
y las químicas
esa,
Vida,
eres tú.

 

Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change 100tpc.org/. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda at the University of Leeds. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ .

He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons the Nation Paperback , Goddess Summons the Nation Kindle Edition , is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English, available in print and kindle in Amazon and other platforms. Editor’s note: further information bio & academic activities can be found at this link: https://ahc.leeds.ac.uk/languages/staff/91/antonio-martinez-arboleda

 
 
 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; his publications include
 
All the Babble of the Souk , Cartoon Molecules, Next Arrivals and Moon Selected Audio Textual Poems, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

Robin Ouzman Hislop Reads the Poetry of Noni Benegas Translated from Spanish by Noël Valis

From BURNING CARTOGRAPHY
The Poetry of Noni Benegas
Translated by Noël Valis

Another Light
For Paul Virilio

Groping through the house, blind steps
of chalk
with the light of dreams
suddenly opaque or radiant
Who shimmers that screen
in the darkened brain?
Like skin withering on the inside
the mystery of that glow persists

Otra luz
A Paul Virilio

A tientas por la casa con pasos
de tiza
con la luz de los sueños
tan pronto opaca o radiante
¿Quién alumbra esa pantalla
en el cerebro a oscuras?
Como la piel se aja desde dentro
el misterio de ese fulgor persiste

**

A Flower
For Ana Basualdo

The camellia sliver in the wake
of the boat at night
when the petal draws back
a trembling universe
like the line of flotation

**

Una flor
Ana Basualdo

La tenue camelia en la estela
del barco nocturno
cuando el pétalo descorre
un universo trémulo
como la línea de flotación

**

Traveling

Travelers who reach Medina de Raj-Kasar
are surprised to see its image repeated
–for instance—in the guide’s
topaz ring or in the pool-encircled moat
or even in the festive fountain’s inner courtyard
Travelers who reach Medina de Raj-Kasar
after crossing between two moons
the desert of Al-Ahmir
sigh before the delicate towers and dream
of filigreed chambers and soothful hookahs
Do travelers reach Medina
or someone reach Raj-Kasar at a precise moment
dusty curious indolent?
Medina de Raj-Kasar traveling toward the Atlas
of travelers
is pleasantly surprised before the fresh-faced passenger
standing intrepid in the middle
of the glittering oasis

**

Viajar

Los viajeros que llegan a la Medina de Raj-Kasar
se sorprenden al divisar su imagen repetida
–pongamos por caso—en el anillo de topacio
del guía o en la acequia que rodea el foso
o aun en la fuente que acoge el patio interior
Los viajeros que arriban a la Medina de Raj-Kasar
luego de atravesar entre dos lunas
el desierto de Al-Ahmir
suspiran ante las finas torres y sueñan
con el salón filigranado y el narguile conciliador
¿Llegan los viajeros a la Medina
alguien arriba en un momento preciso a Raj-Kasar
polvoriento curioso indolente?
La Medina de Raj-Kasar viajando hacia los viajeros
del Atlas
se sorprende gratamente ante el rubicundo pasajero
que se alza impávido en medio
del iridiscente oasis

**

Frida Kahlo
For Jan Lumas

Was it a work of art or her desire? a column
like harvested steel then fangs like jade
careening steeply
It beat with the bold haste
of temples foretold: the wind adrift
in teeth the eyebrows a buffalo bower
the stamp of the sphinx on asphalt
Was it a work of art or her desire? a column
of damp chalk posed day after day beneath the
agile pupil forever flowering

**

Frida Kahlo
A Jan Lumas

¿Era una obra de arte o su deseo ? una columna
de símil de acero segada más una alta carena
de colmillos de jade
Latía con la prisa impávida
de los templos futuros: el viento entornado
entre los dientes las cejas de dosel de búfalo
la impronta de esfinge sobre el asfalto
¿Era una obra de arte o su deseo ? una columna
de tiza húmeda posada día tras día bajo la
ágil pupila en floración perenne

**

Interruptions

Is it true her face keeps the impressions
of wakefulness,
the landscape seen through the train window
fleetingly deciphered;
is it true her face is interrupted?

Seated across from me
was the sacred icon
of an old Hollywood actress
old age stamped in her features,
not definitively decayed,
but very close.

In improbable transit
those features;
an abandoned aerodrome
with grass on the runway and wind
from the ends of the world.

But there is a canal
that boats go up, of liquid
crystal, oars and noises and houses
alive on its banks,

Her face swarms
swirling with malice.
Could she only have seen what she saw?
As if something were suspended
between two canals
in the stagnant waters of her cheek . . .

Is it true her face is interrupted,
what if the interruption isn’t a landscape or a sound
but simply me?


**

Interrupciones

¿Hasta qué punto su rostro guarda las impresiones
de la vigilia,
el paisaje visto a través de la ventanilla
descifrado por momentos;
hasta qué punto su rostro tiene interrupciones?

Sentada frente a mí
era un Buey Apis que era
una vieja actriz de Hollywood
pues anunciaba la vejez en sus rasgos,
no definitivamente añeja,
pero ya próxima.

De tránsito improbable
esos rasgos;
cerrado un aeródromo en desuso
con hierbas en la pista y viento
de techo del mundo.

Mas hay un canal
que las barcas remontan de cristal
fluido, remos y ruidos y casas
vivas en las orillas,

hay un hormigueo en su rostro
hecho de malicia y remolinos.
¿Sólo habrá visto lo que vio?
Si algo quedara en suspenso
entre dos canales
en el remanso de la mejilla . . .

¿Hasta qué punto su rostro tiene interrupciones,
si la interrupción no fuera paisaje o sonido
sino simplemente yo?

**

 

 
Noni Benegas, born in Buenos Aires and resident in Spain since 1977, is the author of seven books of poetry; a selection is collected in El Ángel de lo súbito, Ed. Fondo de Cultura Económica, (Madrid, 2014). Burning Cartography, Ed. Host, (Austin TX, 2007 and 2011) is a selection of these poems in English, and Animaux Sacrés, Ed. Al Manar (Séte 2013) in French. She has won the Platero Prize from the UN in Geneva; the Miguel Hernández National Prize for Poetry, as well as Vila de Martorell award, the Rubén Darío Prize from Palma in Mallorca, the Esquío Prize in Galicia. She is the author of the influential anthology of contemporary Spanish women poets Ellas tienen la palabra, Ed. Hiperión (Madrid, 2008, 4th edition) whose introductory essay, with a new prologue, articles, interviews and an epilogue has been recently collected by Ed. Fondo de Cultura Economica in 2017 with the same title. Ellas Resisten. Mujeres poetas y artistas (1994-2019) is a selection of her essays on women writers and artists published by Ed. Huerga & Fierro
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

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