Roaring Applause
“The future belongs
to those who believe
in the beauty of their dreams”
cried the politician,
to the excited crowd
of tender eyes
hit by a trembling sunset
Roaring Applause
It was an evening
of sweat, joy, hope,
cheers, banners,
drinks, hot dogs,
mobile pics,
flags and burgers,
accidental rubbing
of bodily parts,
human communion,
siblings in arms,
shoulder to shoulder,
etcetera, etcetera
and vice versa
all over again
They go home
now, the event
has been consumed,
empty all around
plastic
tall walls
plastic
cheap stands
enclosure
formerly green
ground of pride
covered
with dead litter
No burial
or cremation
in this funeral
of dusk.
Sigh
The happy cleaner
in charge
of clearing
single-handedly
all the mess
went on to the silent stage
and shouted
husky non-binary
vocal chords
eyes cast on the sky:
Sigh
I am the only owner
of my sexual fantasies
with any of you
My brain is mine,
perhaps a glorified gut,
who knows
Every shot
or scene
that I project inside my head
with my genitalia-powered
camera
with my solo heart-pumped
streaming
belongs solely to me
No intellectual property!
No performance rights!
No subscription fees!
Bring your own clothes,
or make use
of any
of my free
unlimited costumes
in my free
exclusive
staff
undressing room
I solemnly promise
I will not broadcast
nor disseminate
any footage whatsoever,
so, please,
don’t worry about pain
or shame,
or the pertinence
or aesthetics
of our postures:
We all shall be healed
in my dreams
lonely
we love each other,
deep,
in full,
as one
Fair play
Meanwhile,
high up,
neutron stars
thinking themselves
as discreet hunters
fall prey
of inverse matter
of no colour
unthought of
For our light
through darkness
comes
Quote at the beginning of the poem: apparently first made, literally, by Eleanor Roosevelt, but it could have been said, and will be said in the future, by many other people.
Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change 100tpc.org/. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda at the University of Leeds. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ .
He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons the Nation Paperback , Goddess Summons the Nation Kindle Edition , is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English, available in print and kindle in Amazon and other platforms. Editor’s note: further information bio & academic activities can be found at this link: https://ahc.leeds.ac.uk/languages/staff/91/antonio-martinez-arboleda
Robin Ouzman Hislop is Editor of Poetry Life and Times at Artvilla.com ; You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author & https://poetrylifeandtimes.com See Robin performing his work Performance (University of Leeds)